Robert Halmi Jr.

Annie's Point -- A recently widowed grandmother is determined to grant her husband's last wish--that she set his ashes free over the idyllic bluff they called Annie's Point. When her son Richard refuses to let his mother make the two-thousand-mile trip, she takes off anyway with her free-spirited granddaughter in tow.

A recently widowed grandmother is determined to grant her husband's last wish--that she set his ashes free over the idyllic bluff they called Annie's Point. When her son Richard refuses to let his mother make the two-thousand-mile trip, she takes off anyway with her free-spirited granddaughter in tow.

A recently widowed grandmother is determined to grant her husband's last wish--that she set his ashes free over the idyllic bluff they called Annie's Point. When her son Richard refuses to let his mother make the two-thousand-mile trip, she takes off anyway with her free-spirited granddaughter in tow.

A mother and son—and a father and daughter—explore the family memories that bind them and the sweet hope that drives them toward tomorrow. Widowed only six months, with her late husband’s urn never far from her side, sassy sixty-nine-year-old Annie Eason (Emmy winner Betty White, The Golden Girls) spends her afternoons in the garden of her suburban Chicago home putting her water-color dreams and inspirations to canvas. One unfinished painting, locked away for years, inspires Annie more than any other—that of a sprawling bluff overlooking the crashing waves of the Pacific. Her dear Elliot called it Annie’s Point, the spot where they’d hoped to build their dream house and where Elliot asked Annie to set his ashes free. Her son Richard (Emmy winner Richard Thomas, Wonder Boys), who’s struggling to maintain his father’s construction business, can’t fathom his mother traveling two-thousand miles to fulfill an unrealistic daydream. But Annie has a few things in her favor. One is her free-spirited granddaughter Ella (Amy Davidson, 8 Simple Rules), an aspiring singer looking to spread her wings. The others are a car and the stubborn will to take off. Embarking on an incredible journey, Annie and Ella charge across the country like a regular Thelma and Louise—albeit with heart medication and a detailed map. What unfolds is far from ordinary or expected. From stop-overs at sentimental road-side haunts to a gambling spree in Las Vegas, Annie and Ella put the pedal to the metal to outrun Richard, who’s hot on their trail. Now, two unlikely fugitives, low on cash but high on life, are about to teach everyone in their path the meaning of family, the lessons of everlasting love, and the importance of forgiveness as they fast-forward toward a place where dreams really do come true—Annie’s Point. A film with a heart as big and unpredictable as the open road, Annie’s Point is a bittersweet comedy that gives a lift to the human spirit.

Although she's blind, Tula (Ann-Margret) isn't oblivious to what's going on around her, regardless of what others think. For one, she knows her relatives are after her home and her land, a fact that both saddens and angers her. To save herself and everything she's ever worked for, Tula enlists the help of a stranger with a dark past (Matthew Settle) and his daughter (Shailene Woodley). Is she doing the right thing? Only time will tell. ...

In an inspiring new film Teddy Grouya takes us on a journey into the world of an Iconic Orthodox Painter who claims to paint not from her own self interest but through the hand of God. Some of the first churches in Eastern Europe were carved out of caves by Saint Lucas and Saint John who evangelized throughout the region during the 2nd century. Iconic images were the equivalent of the Bible for the illiterate, for most people could not read and Saint Lucas was one of the first to paint them. The tradition of icons and the practices of old Christianity started in those caves two thousand years ago; it is kept alive in the Eastern Orthodox Church of today- a church that many in the West do not understand. Titiana Popa, a prolific iconographer, is portrayed in this film about her work. Her goal is to bring "God to America" through her art. We are given a rare look into the Eastern Orthodox Church, as well as some hidden monasteries where Popa's art is painted and blessed. Set against the backdrop of present day Romania and Popa's art we hear Byzantine music performed by monks and clergy. We also hear the inspiring high notes from the Constanta Men's Choir while we learn what exemplifies an icon in art and in people. Teachers, students, historians, church-goers and art lovers will want to add this film to their libraries.

In an inspiring new film Teddy Grouya takes us on a journey into the world of an Iconic Orthodox Painter who claims to paint not from her own self interest but through the hand of God. Some of the first churches in Eastern Europe were carved out of caves by Saint Lucas and Saint John who evangelized throughout the region during the 2nd century. Iconic images were the equivalent of the Bible for the illiterate, for most people could not read and Saint Lucas was one of the first to paint them. The tradition of icons and the practices of old Christianity started in those caves two thousand years ago; it is kept alive in the Eastern Orthodox Church of today- a church that many in the West do not understand. Titiana Popa, a prolific iconographer, is portrayed in this film about her work. Her goal is to bring "God to America" through her art. We are given a rare look into the Eastern Orthodox Church, as well as some hidden monasteries where Popa's art is painted and blessed. Set against the backdrop of present day Romania and Popa's art we hear Byzantine music performed by monks and clergy. We also hear the inspiring high notes from the Constanta Men's Choir while we learn what exemplifies an icon in art and in people. Teachers, students, historians, church-goers and art lovers will want to add this film to their libraries.

Tula Jeeters, an aging Southern belle living out her golden years in a sprawling and crumbling country home, becomes the mark of a father/daughter team of cons. But when Tula moves the pair into her home as boarders, an unexpected bond develops between them that will change all their lives.

Tula Jeeters, an aging Southern belle living out her golden years in a sprawling and crumbling country home, becomes the mark of a father/daughter team of cons. But when Tula moves the pair into her home as boarders, an unexpected bond develops between them that will change all their lives.

A beautiful and unexpected fate befalls three people searching for a future they never thought possible… Fiercely independent Tula Bouvier Jeeters (Golden Globe nominee Ann-Margret, Queen) is living out her golden years in the sprawling but crumbling country home she shared with her beloved late husband. Intensely private, she’s also wary of visitors, especially the likes of Billie (Hunter Tylo, The Bold and the Beautiful) and Dave (Sean O’Bryan, The Princess Diaries), her deceased husband’s niece and nephew, and county social worker Jan Kyles (Rebecca McFarland, Scream 2). It’s their job to see to Tula’s welfare—like vultures—and to count the days when she can be recommended for “assisted living.” The only man on Tula’s side is the hopelessly romantic Doc Abrams (Gary Sandy, WKRP in Cincinnati), the town’s last true gentleman. But the final years of the aging Southern belle aren’t as predictable as everyone thinks. Her routine is unexpectedly shaken by the arrival of drifters Hank Ford (Matthew Settle, Band of Brothers) and his daughter Cali (Shailene Woodley, Without a Trace), nine-going-on-thirty and every bit the experienced con that her father is. Hank and Cali size up Tula as a quick mark, someone to take advantage of and then move on. But Tula’s no fool. She sees the pair as her last hope and plans to take them in as boarders so they can help with the upkeep of her home. For Hank and Cali, it sure beats living out of their convertible. However, when Billie encounters Hank’s slick charms firsthand, her suspicions, as well as those of the local sheriff, are soon roused. But an unlikely bond has already developed between Tula and her new friends, and it’s going to take more than a woman like Billie to break it. For the first time, Cali discovers what childhood is, Tula finds an enlightening new lease on life, opening herself up to the affections of Doc, and Hank is finally learning the meaning of friendship, family, and trust. Together they’re saying goodbye to yesterday, and, naysayers be damned, they’re going to fight for a new tomorrow that will change all their lives.

Combining live action with cutting-edge computer animation, this mega-sized miniseries tells the fantastical story of humans living in peace with dinosaurs. When two brothers get shipwrecked on an island called Dinotopia, they discover the pleasures and surprises of a land in which humans and dinosaurs coexist as friends and equals. Based on the books by the talented illustrator James Gurney.

Combining live action with cutting-edge computer animation, this mega-sized miniseries tells the fantastical story of humans living in peace with dinosaurs. When two brothers get shipwrecked on an island called Dinotopia, they discover the pleasures and surprises of a land in which humans and dinosaurs coexist as friends and equals. Based on the books by the talented illustrator James Gurney, DINOTOPIA is a project that lives up to the ambition of its creators.