Free | IMDB Videos
Released: 1966
Alvarez Kelly -- This is the story of a renegade adventurer, ALVAREZ KELLY (William Holden), who gets caught in the middle of the Civil War. With no loyalties to either North or South, Kelly is hired to drive a herd of cattle from Mexico to the Union Army in Virginia. However, along the way he is captured by Confederate Colonel Tom Rossiter (Richard Widmark) who persuades him...by shooting off a finger to deliver the cattle to starving Confederates in Richmond. At a bridge leading to Richmond, the Union Army attacks and a bloody battle ensues in which Kelly risks his own life to save a Confederate officer. In the end, Kelly's fate once again lies in the hands of Colonel Rossiter.
Free | IMDB Videos
Released: 1962
Walk on the Wild Side -- Sup with the devil and you'll taste your just desserts...
$9.99 | iTunes
Released: 2009
Bickford Warner, a.k.a. Kid Blue, is a bumbling outlaw who wants to move to the "big city" to retire from his life of crime. Arriving in the tiny town of Dime Box, Texas, he begins a series of routine jobs; cleaning spittoons, sweeping out a barbershop, slaughtering chickens, and shoveling coal into the huge kiln at the town's only factory, the Great American Ceramic Novelty Company, which manufactures the sort of cheesy ashtray sold at tourist traps in places like Atlantic City. It's not easy to blend in. The Sheriff is on his case, berating him and calling him white trash. But then again, maybe "blending in" isn't possible in this town of eccentrics, including a married man who rhapsodizes about male companionship and the Greeks, and a fire-and-brimstone preacher who is building an "aero-cycle" (a bicycle with wings) and praises the Lord for his gifts of peyote, hemp and alcohol. Eventually, though, Bickford is drawn back to a life of crime...
$14.99 | iTunes
Released: 2008
A gritty tale of vengeance in which Robertson feigns loyalty to both the government (a federal crime commission) and organized crime in order to kill the men who murdered his father. This is one of Samuel Fuller's most visually striking films, based on a series of Saturday Evening Post articles, by Joseph F. Dineen.
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