Reed Hadley

The St. Valentine's Day Massacre -- Named after the event itself, ST. VALENTINE'S DAY MASSACRE chronicles the Chicago gangster wars of the 1920s.

Shock -- A psychologically distraught woman is committed to a private sanitarium by the man whom she witnessed commit a murder.

Named after the event itself, St. Valentine’s Day Massacre chronicles the Chicago gangster wars of the 1920s. The terrible true-life events of February 14, 1929 thrust gangster Al Capone into the national spotlight, but marked the beginning of the end of Chicago's criminal empire. Rival Chicago mobsters Al Capone and Bugs Moran battle for control of the city’s crime element - which leads to a bloody showdown in which Capone’s men, dressed as policeman, kill seven key members of Moran’s gang in a warehouse. Jack Nicholson makes a cameo appearance in what is one of his first screen roles.

Amir, the benevolent ruler of Kalid, is dying, but there is hope. Freshly deceased, he is flown to the United States where Dr. Trenton transplants his brain into the body of a simpleton in a classic "assistant got the wrong kind of body" plot line. Dr. Trenton has a few nefarious plot twists of his own in mind, which lead to government cover ups, sadism, spies, torture, and chained women. It's up to Amir's friend Bob and wife Tracey to try and salvage this tale.

Named after the event itself, ST. VALENTINE'S DAY MASSACRE chronicles the Chicago gangster wars of the 1920s.

Named after the event itself, ST. VALENTINE'S DAY MASSACRE chronicles the Chicago gangster wars of the 1920s.

Named after the event itself, ST. VALENTINE'S DAY MASSACRE chronicles the Chicago gangster wars of the 1920s. The terrible true-life events of February 14, 1929 thrust gangster Al Capone into the national spotlight, but marked the beginning of the end of Chicago's criminal empire. Rival Chicago mobsters Al Capone and Bugs Moran battle for control of the city's crime element - which leads to a bloody showdown in which Capone's men, dressed as policeman, kill seven key members of Moran's gang in a warehouse. Jack Nicholson makes a cameo appearance in what is one of his first screen roles.

In a move to dig up $200,000 in buried ransom money, a cadre of dangerous criminals (Ralph Meeker, Broderick Crawford, Lon Chaney Jr., William Talman and Charles Bronson) stages a mass exodus from Casabel Island Prison. But treachery and infighting among them threatens to destroy their plot from within. Reed Hadley co-stars in this classic crime thriller as the FBI agent charged with bringing them back into custody.

On the lam from a bogus murder rap, Korean War veteran Jim Henry (Richard Conte) hits the road and hitches a ride with a freelance glamour magazine photographer (Joan Bennett) and her No. 1 model (Wanda Hendrix) -- with the police in hot pursuit. As the manhunt closes in on the fugitive, he uncovers a shocking connection between one of his traveling companions and the murder victim. Reed Hadley co-stars as the detective leading the dragnet.

Just before the Civil War (but after the South has seceded), Southern saboteurs try to prevent railroad construction from crossing Kansas to the frontier; army Captain Nelson is sent out to oppose them. As the tracks push westward, Nelson must contend with increasingly violent sabotage, while trying to romance the foreman's pretty daughter Barbara.

Wyoming Dan (Trevor Bardette) returns home after 20 years evading the law for a crime he didn't commit, only to find his son on his deathbed. Seeking revenge for his son's murder, Dan enlists the help of Rocky Lane (Allan Lane), who poses as an outlaw to try to uncover the truth. When the duo manage to track down the killer, they find him armed to the teeth. This Republic Pictures Western is anomalous in that it features no female lead.

After years of crime reporting, screenwriting, and authoring pulp novels, Samuel Fuller made his directorial debut with the lonesome ballad of Robert Ford (played by Red River's John Ireland), who fatally betrayed his friend, the notorious Jesse James. At once modest and intense, I SHOT JESSE JAMES is an engrossing pocket portrait of guilt and psychological torment, and an auspicious beginning for the maverick filmmaker.