Raymond Chandler

Strangers on a Train -- Hitchcock's super-thriller about two passengers who meet accidentally and plot to 'exchange' murders,a tennis star who wants out of his marriage.

The Big Sleep -- L.A. private eye Phillip Marlowe takes on a blackmail case...and a trail peopled with murderers, pornographers, nightclub rogues, the spoiled rich and more.

Philip Marlowe searches for a missing woman in this mystery shot entirely from the detective's viewpoint.

Raymond Chandler's private eye, Philip Marlowe is involved in a case of deception, double-cross and murder. Moose Malloy is a giant ex-con, fresh out of prison, who wants Marlowe to find his missing sweetheart, Velma. Marlowe winds up lying unconscious on the floor with a dead man next to him. He asks Grayle, a seedy collector, for some answers and runs into the seductive Mrs Grayle who sends him to a former gangster. The visit almost costs Marlow his life. He senses a connection between Mrs Grayle and the mysterious Velma and comes to the conclusion they are one and the same person - and that person needs him dead.

A film noir remake of the Raymond Chandler novel 'MURDER, MY SWEET' originally made as a film in 1944.

Elliott Gould portrays tough private-eye Philip Marlowe in director Robert Altman's updated version of one of Raymond Chandler's most-celebrated novels... Marlowe is awakened at 3:30 in the morning by part-time hood Terry Lennox (Jim Bouton) to drive him to Tijuana. When Marlowe returns to Los Angeles, he learns that Lennox's wife is dead--murdered--and that (of course!) Lennox is the chief suspect. Marlowe returns to his normal work and is hired by a woman to find her husband, Roger (Sterling Hayden), an author with a fondness for the bottle. More puzzles... The mob turns up; they are seeking $350,000--and they seem to think Marlowe has it! He will soon learn of Lennox's death (murder, suicide or...) in Mexico and realize that no one but himself gives a damn. That will make Marlowe VERY angry...

Robert Altman updates the exploits of 1940s hard-boiled gumshoe Phillip Marlowe, who ferrets out a killer in the City of Angels circa 1974. Now, he's a wisecracking cynic who deals with coke-addled, sun-worshipping suspects and nudist neighbors.

Under the inimitable direction of Robert Altman, Elliot Gould stars as the laid-back, legendary private eye Philip Marlowe investigating a mysterious murder. Also stars Sterling Hayden and Nina Van Pallandt.

In a colorful whodunit based on Raymond Chandler's The Little Sister, Garner's easygoing style contrasts agreeably with the grim task of sleuthing a case of missing persons, blackmail and ice-pick murders.

Five-hundred bucks doesn't come easily for private eye Philip Marlowe (James Garner). But when it comes by way of a bribe, it might as well be five cents. He rejects Winslow Wong (Bruce Lee) and his offer of cash...and Wong promptly karates the detective's office into a junkpile. In a colorful whodunit based on Raymond Chandler's The Little Sister, Garner's easygoing style contrasts agreeably with the grim task of sleuthing a case of missing persons, blackmail and ice-pick murders. Carroll O'Connor, Rita Moreno, William Daniels, Sharon Farrell and Jackie Coogan are among the cast of characters living in a sprawling '60s L.A. so hard-boiled somebody's got to crack. And when that happens, it's Marlowe's job to put the pieces together.

Five-hundred bucks doesn't come easily for private eye Philip Marlowe (James Garner). But when it comes by way of a bribe, it might as well be five cents. He rejects Winslow Wong (Bruce Lee) and his offer of cash...and Wong promptly karates the detective's office into a junkpile. In a colorful whodunit based on Raymond Chandler's The Little Sister, Garner's easygoing style contrasts agreeably with the grim task of sleuthing a case of missing persons, blackmail and ice-pick murders.

Strange thing about this trip. So much occurs in pairs. Tennis star Guy (Farley Granger) hates his unfaithful wife. Mysterious Bruno (Robert Walker) hates his father. How perfect for a playful proposal: I'll kill yours, you kill mine. Now look at how Alfred Hitchcock reinforces the duality of human nature. The more you watch, the more you'll see. "Isn't it a fascinating design?" the Master of Suspense often asked. Actually, it's doubly fascinating. Hitchcock left behind two versions of Strangers on a Train. The original version (Side A) is an all-time thriller classic. A recently found longer prerelease British print (Side B) offers "a startling amplification of Bruno's flamboyance, his homoerotic attraction to Guy and his psychotic personality," according to Bill Desowitz of Film Comment. The laying bare of Bruno's hidden nature, along with the great set pieces (head-turning tennis match, disintegrating carousel) and suspense as only Hitchcock can deliver, makes for a first-class trip.