Ray Enright

Albuquerque -- A short tragi-comedy about Linus, and his obsession with the woman next door.

Man Alive -- The last man on the face of the earth just might not be the man for you.

A reformer's daughter wins the lead in a scandalous Broadway show in this amusing and entertaining musical starring Oscar and Golden Globe-nominee Joan Blondell ("Grease," "The Champ") and Dick Powell ("42nd Street" "Murder My Sweet"). Trouble brews when a religious millionaire declares war against "filthy" entertainment. Co-starring Ruby Keeler ("42nd Street").

A mysterious outlaw known as the Sidewinder leads a band of Ute Indians on raids of ranches throughout the Southwest, and when his home is burned, cowboy Tex McCloud (Sterling Hayden) vows to get revenge and bets Cavalry officer Tom Blaine (Forrest Tucker) that he can find the outlaw. Tex falls for newcomer Nora (Barbara Rush), arousing the jealousy of singer Carolina (Arleen Whelan), but his investigation leaves him little time for romance.

A dedicated doctor joins the Chinese in their fight against Japanese invaders.

Col. Thorwald is responsible for organizing a battalion to raid the Japanese-held Makim Island. His battalion is made up of misfits, brawlers, etc. but he transforms them into a tough fighting unit for the fierce battle.

'Gung Ho!': The Story of Carlson's Makin Island Raiders -- The true story of Carlson's Raiders and their World War II attack on Makin Island.

Seven weeks after Pearl Harbor, volunteers are selected form the new 2nd Marine Raider Battalion, whose purpose is to raid Japanese-held islands. The men selected come from different walks of life but have toughness in common. Under command of Colonel Thorwald, they're trained in all imaginable forms of combat. Then, after a perilous submarine journey, they face a daunting first mission: to annihilate the much larger Japanese garrison on Makin Island, in a lengthy battle sequence.

The carnival limps into town and sets up for another show. To the public, the carnival means exciting performers. To Nick Coster, those performers are "mugs and grifters and riffraff - all under one tent." Nick should know. He puts the show together.

The tents are leaky. The troupers are weary. The carnival limps into town and sets up for another show. To the public, the carnival means exciting performers. To Nick Coster, those performers are "mugs and grifters and riffraff ? all under one tent." Nick should know. He puts the show together. Humphrey Bogart plays Nick, bringing crisp authority to a movie whose midway atmosphere is so alive you can almost taste the caramel corn. Sylvia Sidney, Eddie Albert and Joan Leslie join Bogart in this tale centered on Nick and an up-and-coming lion tamer (Albert) he discovers. The story, a reworking of 1937's Kid Galahad, is a superb example of how studio-system filmmakers kept successful plotlines rolling. Bogart's career was finally rolling, too. His next film would make him an undisputed star. The title: The Maltese Falcon.

The tents are leaky. The troupers are weary. The carnival limps into town and sets up for another show. To the public, the carnival means exciting performers. To Nick Coster, those performers are "mugs and grifters and riffraff - all under one tent." Nick should know. He puts the show together. Humphrey Bogart plays Nick, bringing crisp authority to a movie whose midway atmosphere is so alive you can almost taste the caramel corn.

Slim -- Slim is a comedic coming of age vignette that covers the trials and tribulations of a young truck driver named Slim. The film begins with the musical narration from a wise old codger, who sets the stage for the story, and periodically reappears throughout the film to fill in narration and comment of the situations that slim finds himself in. Slim s major dilemma is that he has not mastered trucker lingo, and so is taken for a fool whenever he speaks over the airwaves. To remedy this situation, his radio dispatcher commands Slim to rest at the truck stop to learn from some of the veteran truckers. Upon arriving he is scared and bewildered by the unsavory truck stop personalities of Leroy and Guy, (two veteran truckers who take it upon themselves to educate slim). Despite their crude humor and attempts to scare a little sense into Slim, the two older truckers teach slim the ways of the road, and get him up to snuff on all the important lingo. When morning arrives and Slim must prove his worth, it turns out that he has a knack for the trucker lingo so long as he sings it out loud. This knack for music reveals the connection between slim, and the old codger character, who both share a love of song, and a soul for the road.