[SPOILER ALERT! If you haven't watched the Olympic Closing Ceremonies and don't want to know how it all went down, don't read any further.]
Roger Waters talks future Pink Floyd tours and his charitable work, all while avoiding projectile vomit.
Wayne should have taken drugs before the Pink Floyd concert.
More than 3 decades after Pink Floyd's 'The Wall' debuted, Roger Waters is bringing his iconic rock opera to sold-out arenas around the world. He joins us to discuss music, 'The Wall,' and his criticism of the Israeli occupation.
Extract from the LickLibrary Quick Licks Tutorial DVD series which shows you how to learn the techniques and play slow blues guitar licks in the style of Pink Floyd's David Gilmour
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The story of THE WALL is told simply with the music of Pink Floyd, images and natural effects. There is no conventional dialogue to progress the narrative. Our story is about Pink, a Rock and Roll performer, who sits locked in a hotel room, somewhere in Los Angeles. Too many shows, too much dope, too much applause: a burned out case. On the TV, an all too familiar war film flickers on the screen. We shuffle time and place, reality and nightmare as we venture into Pink’s painful memories, each one a “brick” in the wall he has gradually built around his feelings. Slowly he withdraws from the real world and slips further into his nightmare as he imagines himself as an unfeeling demagogue, for whom all that is left is the demonstration of power over his unthinking audience, the culmination of the odious excess of his own world and the world around him. His internal self trail follows, as the witnesses of his past life, the very people who have contributed to the building of the wall, come forward and testify against him.
A stop-motion animation film depicting a gritty, futuristic dystopia where true happiness and bliss are very hard to come by. More was nominated for an Academy Award and won Best Short Film at the Sundance Film Festival in 1999.
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