Peter Lupus

Broomfield’s behind-the-scenes document of the making of a musical becomes a ceremonious unmaking-of as egos, budgets and general calamity conspire to ruin the best efforts of all involved in the New York rehearsals for an extravagant, glitzy production.

Both uproariously funny and unerringly cautionary, Broomfield's behind-the-scenes document of the making of a musical becomes a ceremonious unmaking-of as egos, budgets and general calamity conspire to ruin the best efforts of all involved in the New York rehearsals for an extravagant, glitzy production. As Broomfield recounts it,"(This was) the first film I ever appeared in. I was so desperate in this out-of-control situation that it was the only way I could think of telling the story."

A wealthy Italian countess descends on the beach to ensnare Flex Martian, winner of a Mr. Galaxy contest. But when she transfers her affections to Frankie Avalon, Annette is disgusted and war is ignited between the muscles and the surfers. Music, dancing and surfing on the beaches of sunny southern California.

Duplicity and vengeance are the operative words in this twisty thriller starring Eric Roberts as Reno Adams, whose grasping ex, Lauren (Mädchen Amick), set him up for a stint in the big house as part of a scheme to net a fortune. When Reno breaks out of prison, he wastes no time getting revenge on Lauren and her new husband, wealthy banker Paul Harrington (John Lithgow). The supporting cast includes Donald Moffat and Richard Edson.

When five teenagers unwittingly resurrect a demon from his grave, nobody is safe from the hideous creature's grisly rampage of revenge. Inside this monster dwells the soul of a little boy named Tommy, who was brutally murdered years ago.

Scrappy inventor Gunther (Thomas Gottschalk) drives his tiny East German Trabant 601 to a Los Angeles convention, where he hopes to get backing for his revolutionary turnip-juice fuel. But the car is soon stolen by corporate spies. Now Gunther must navigate the unfamiliar terrain of L.A. in his quest to get his Trabi back. Fortunately, Billy Dee Williams, Milton Berle and other celebrities help out along the way in this sequel to Go, Trabi, Go.

Both uproaringly funny and unerringly cautionary, Broomfield's behind-the-scenes document of the making of a musical becomes a ceremonious unmaking-of as egos, budgets and general calamity conspire to ruin the best efforts of all involved in the New York rehearsals for an extravangant, glitzy production.

Both uproaringly funny and unerringly cautionary, Broomfield's behind-the-scenes document of the making of a musical becomes a ceremonious unmaking-of as egos, budgets and general calamity conspire to ruin the best efforts of all involved in the New York rehearsals for an extravangant, glitzy production.

Silva is set to be executed at the beginning of the film. Yet, later we see him again as a young-looking mysterious character. Is it the same man? He then goes after a well-known crime boss, posing as his long lost brother. Nightmarish and dreamlike with a creepy music score.

Silva is set to be executed at the beginning of the film. Yet, later we see him again as a young-looking mysterious character. Is it the same man? He then goes after a well-known crime boss, posing as his long lost brother. Nightmarish and dreamlike with a creepy music score.

A wealthy Italian countess descends on the beach to ensnare Flex Martian, winner of a Mr. Galaxy contest. But when she transfers her affections to Frankie Avalon, Annette is disgusted and war is ignited between the muscles and the surfers. Music, dancing and surfing on the beaches of California.

A wealthy Italian countess descends on the beach to ensnare Flex Martian, winner of a Mr. Galaxy contest. But when she transfers her affections to Frankie Avalon, Annette is disgusted and war is ignited between the muscles and the surfers. Music, dancing and surfing on the beaches of California.