Another new face is joining the illustrious ranks of Doctor Who.
Gavin & Stacey alum Samuel Anderson has signed on for a recurring role, BBC America announced Monday.
Anderson will play Danny Pink, a teacher at...
A new Doctor means a brand new look.
When Doctor Who returns later this year, Peter Capaldi will replace Matt Smith as the 12th incarnation of the Doctor. Each Doctor has his own a signature style, and for Capaldi, it includes a dark blue Crombie coat with red lining, dark blue trousers, a white shirt and black Doc Marten shoes.
Question: [RETROACTIVE SPOILER ALERT FOR THOSE NOT KEEPING UP] I'm watching Homeland and Sons of Anarchy more out of habit than passion these days, after what I thought were disappointing seasons for both. But even so, I was startled when their seasons ended on such grim notes in December, with the violent deaths of major characters. Which surprised you more: Brody's execution as Carrie bore witness on Homeland or Tara's brutal murder at Gemma's hands on Sons? Or did you see each of these events as inevitable? On the same note, which show do you think is better positioned to bounce back from these game-changers, or did they maybe (and I know you hate the expression) jump the shark? — Cass
Matt Smith, David Tennant
Who knew? Few could have foreseen the enduring success of Doctor Who given its inauspicious origins a half-century ago — a fascinating story of pluck, luck and imagination delightfully rendered in An Adventure in Space and Time, a new TV movie (Friday, 9/8c) airing as part of BBC America's 50th-anniversary Who celebration this weekend.
You don't have to be a Whovian to appreciate this jaunty re-creation of a simpler, scrappier time in TV history. A "year-ometer" (cute touch) dials back to 1963, when the staid BBC's brash new head of drama, Canadian showman Sydney Newman (a marvelously uncouth Brian Cox), greenlights a new sci-fi serial to appeal to kids and fickle sports fans. With a miniscule budget, an overheated "broom cupboard" of a studio and an edict of "no tin robots or BEM (bug-eyed monsters)," Newman appoints an unorthodox team to realize his vision: Verity Lambert (Call the Midwife's Jessica Raine), an ambitious pioneering female producer, and Waris Hussein (Sacha Dhawan), a novice Indian director.
Can you keep a secret? Probably not as well as Doctor Who executive producer Steven Moffat's two sons, Joshua, 13, and Louis, 11. These days, nearly every television producer, director, writer, actor and caterer is apprehensive about revealing details and plot points from unaired episodes of their shows. But Moffat is the master. He even gave one of the series' characters the catchphrase "No spoilers." He purposely misleads the press. "I lied my arse off," Moffat told 6,500 attendees at this year's San Diego Comic-Con regarding the content of an upcoming episode. He also runs a tight spaceship: Nondisclosure agreements are as ubiquitous as silver alien masks on the British science-fiction show's set.
Joshua, however, is the first to...
Andy Samberg, Joe Lo Truglio
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Question: Love your column and hope you could shed some light on an issue for me. As I understand it, TV shows/actors submit one episode of what they feel is their best work (that season) for Emmy consideration. Is this true? If so, don't you think the criteria should require a greater sample size since one episode, no matter the quality, does not necessarily tell the story of an entire season? —Charles
Question: What are your thoughts on the selection of Scottish actor Peter Capaldi as Doctor Who's Twelfth Doctor? I have to admit that I had no idea who he was — I assume he's more of a household name in the U.K. I don't want to prematurely bash the selection and I'm willing to see how things work out, but it seems to be a traditional choice and even more so since the modern Doctor Who series has featured younger actors. During the special that announced the selection, the show runner ...
Oscar winner Peter Capaldi will play the 12th Doctor Who, BBC announced Sunday during the live special Dr. Who Live: The Next Doctor.
"It's so wonderful not to keep this secret any longer," Capaldi said during the special, which aired worldwide. "For a while I couldn't...
Happy New TV Year! With the brief holiday programming pause about to be over, it's already time to say goodbye to one of last year's better series: the evocative second season of BBC America's Golden Globe-nominated The Hour. A ticking-clock deadline fuels the suspense in Wednesday's gripping finale (9/8c). With showtime fast approaching for a new edition of the fictional '50s TV newsmagazine, The Hour's co-anchors find themselves embroiled in controversy and peril.
Memo to HBO's The Newsroom: This is how it's done.
In its second season, BBC America's The Hour (Wednesdays at 9/8c) is the very model of a smart, sleek, witty and sexy drama about the inner workings of a high-profile TV news operation. Set in the late '50s, but feeling quite contemporary in its depiction of media celebrity, with political and competitive pressures assailing journalistic ideals, this first-class entertainment avoids the pitfalls of preachiness and extreme silliness that often derailed Aaron Sorkin's TV comeback.