Breathe easy, Good Wife fans. The end of the show isn't near. Just the end of Peter's gubernatorial campaign.
"We have every reason to anticipate we're coming back," co-creator and executive producer Michelle King told reporters on a conference call Monday. Added her husband, co-creator and executive producer Robert King, "We're writing as if we're coming back."
No one can blame fans of the CBS legal drama for being concerned. For all the show's critical acclaim and big-name guest stars, The Good Wife dipped to a series low 1.4 rating in the adults ages 18-49 demo on Feb. 17. The show bounced back to a 1.6 the following week, and the Kings said the ratings haven't been an issue with CBS. "They're very sophisticated in terms of how the ratings work," Michelle said. "They've never given anything but a positive response and they really focus on the creative and just...
The broadcast networks are desperate for your attention. They know that you're overwhelmed with their programming and distracted by cable, the Internet and now even streaming services. Plus, they didn't produce a new major hit this season, and their ratings are suffering for it.
That's why this year's crop of nearly 100 series pilots at the five networks (48 comedy and 50 drama from the five networks) is all about being big: big stars, big producers, big concepts.
Deaths! Interrogations! Plane crashes! Breakups! Weddings! Catfights! Sex dreams! TV had it all this year. From Desperate Housewives' fitting farewell to Fringe's powerful flash-forward, 2012 served up some remarkable hours of television, and we've assembled the top 25 episodes. Which ones made the cut? Tune in all week to see the full list.
Here are Episodes 15-11. (Catch up with Episodes 25-21 and Episodes 20-16.)
More details are emerging about the bizarre death of Sons of Anarchy's Johnny Lewis this week.
Police believe Lewis, who is suspected of killing his 81-year-old landlady, Catherine Davis, before he fell off a roof and died Wednesday, also beat and dismembered Davis' cat, TMZ reports.
In TV comedy, there's a fine line between the delightfully quirky and the annoyingly irksome, and Fox's Tuesday night lineup — now home to four half-hour sitcoms, forcing Glee's move to Thursdays — tap-dances around and over that line with reckless abandon. My advice: surrender and enjoy.