Norma Crane

Fiddler on the Roof -- Norman Jewison's adaptation of the long-running Broadway musical is set in the Ukranian ghetto village of Anatevka. Tevye the milkman, played by Israeli actor Topol, is constantly being challenged by his poverty, the romantic entanglements of his five daughters, and the prejudicial attitudes of non-Jews., Tevye carries on lengthy conversations with God whenever the weight of the world becomes too much for him, he does not answer but he is at least more willing to listen than the milkman's remonstrative wife Golde. Tevye is forced to do some quick rearranging when his oldest daughter Tzeitel falls in love with poor tailor Motel Kamzoil after he has already arranged a marriage between her and wealthy butcher Lazar Wolf. Fancying himself more broad-minded than his gentile oppressors, Tevye cannot accept the notion that his other daughter Chava would want to marry Fyedka, a non-Jew. When Tevye and his neighbors are forced out of Anatevka by the Czar's minions he must find a way to change his tune and his entire life.

In this first sequel to In The Heat of the Night, homicide detective Virgil Tibbs (Sidney Poitier) (Now married and living in San Francisco) investigates the violent murder of a Nob Hill prostitute. The prime suspect is a priest (Martin Landau). . .a close friend of Tibbs. . .who was last seen leaving the victim's apartment. Tibbs is reluctant to believe that the priest, who is fighting for reform in city government, is capable of committing such a desperate, sexually violent crime. Facing several threats against his life, Tibbs finally arrives at the absolute certainty that his friend is the murderer. At home, Tibbs faces another problem when he finds his 11-year-old son smoking. Tibbs solves this problem by introducing the boy to the "pleasures" of a very big cigar.

Norman Jewison's adaptation of the long-running Broadway musical is set in the Ukranian ghetto village of Anatevka. Tevye the milkman, played by Israeli actor Topol, is constantly being challenged by his poverty, the romantic entanglements of his five daughters, and the prejudicial attitudes of non-Jews., Tevye carries on lengthy conversations with God whenever the weight of the world becomes too much for him, he does not answer but he is at least more willing to listen than the milkman's remonstrative wife Golde. Tevye is forced to do some quick rearranging when his oldest daughter Tzeitel falls in love with poor tailor Motel Kamzoil after he has already arranged a marriage between her and wealthy butcher Lazar Wolf. Fancying himself more broad-minded than his gentile oppressors, Tevye cannot accept the notion that his other daughter Chava would want to marry Fyedka, a non-Jew. When Tevye and his neighbors are forced out of Anatevka by the Czar's minions he must find a way to change his tune and his entire life.

Norman Jewison's adaptation of the long-running Broadway musical is set in the Ukranian ghetto village of Anatevka. Tevye the milkman, played by Israeli actor Topol, is constantly being challenged by his poverty, the romantic entanglements of his five daughters, and the prejudicial attitudes of non-Jews., Tevye carries on lengthy conversations with God whenever the weight of the world becomes too much for him, he does not answer but he is at least more willing to listen than the milkman's remonstrative wife Golde. Tevye is forced to do some quick rearranging when his oldest daughter Tzeitel falls in love with poor tailor Motel Kamzoil after he has already arranged a marriage between her and wealthy butcher Lazar Wolf. Fancying himself more broad-minded than his gentile oppressors, Tevye cannot accept the notion that his other daughter Chava would want to marry Fyedka, a non-Jew. When Tevye and his neighbors are forced out of Anatevka by the Czar's minions he must find a way to change his tune and his entire life.

Norman Jewison's adaptation of the long-running Broadway musical is set in the Ukranian ghetto village of Anatevka. Tevye the milkman, played by Israeli actor Topol, is constantly being challenged by his poverty, the romantic entanglements of his five daughters, and the prejudicial attitudes of non-Jews., Tevye carries on lengthy conversations with God whenever the weight of the world becomes too much for him, he does not answer but he is at least more willing to listen than the milkman's remonstrative wife Golde. Tevye is forced to do some quick rearranging when his oldest daughter Tzeitel falls in love with poor tailor Motel Kamzoil after he has already arranged a marriage between her and wealthy butcher Lazar Wolf. Fancying himself more broad-minded than his gentile oppressors, Tevye cannot accept the notion that his other daughter Chava would want to marry Fyedka, a non-Jew. When Tevye and his neighbors are forced out of Anatevka by the Czar's minions he must find a way to change his tune and his entire life.

Dean Martin thinks that Shirley MacLaine was the mistress of a recently deceased millionaire. On this fragile plot peg hangs the rest of All in a Night's Work. The millionaire died with a smile on his face, and Martin, who stands to inherit the dead man's publishing business, suspects that MacLaine, who has been left a fortune, administered the "favors" that pushed the old coot into the Great Beyond. MacLaine, wholly innocent, resents Martin's implications and gives him the brush-off. All turns out for the good when Martin realizes that he loves MacLaine for herself and not for her legacy. It took three writers (five, if you count the authors of the play upon which this film is based) to cook up the tickle-and-tease souffle that we've come to know as All in a Night's Work. (Hal Erickson, All Movie Guide)

Colonel Ryder, the publisher of a magazine, dies while on vacation. Tony, his swinging nephew, inherits the magazine and takes over. Presently, the magazine is planning to expand and to do so they need some capital.

A millionaire died with a smile on his face, and Tony Ryder, who stands to inherit the dead man's publishing business, suspects that Katie Robbins, who has been left a fortune, administered the "favors" that pushed the old coot into the Great Beyond. All turns out for the good when Tony realizes that he loves Katie for herself and not for her legacy.

A sensitive prepschooler called "sister boy" by his peers, is offered more than tea and sympathy by the lovely housemaster's wife to help the boy prove his manhood. The frankness may be muted but the power remains in this stellar film.