Nicholas Ball

Would-be writer Jack Manfred (Clive Owen) lands a job as a croupier so he can stand behind the dealer's table and watch the passing parade of human desperation. But is he a voyeur or a pawn in a gambler's (Alex Kingston) dangerous game? Director Mike Hodges sticks a knife into London's gambling underbelly and lets it rip in this smart, sexy crime thriller, creating a murky world that keeps you guessing until the end.

Seamlessly interweaving archival war footage and a fictional narrative, Stuart Cooper's immersive account of one twenty-year-old's journey from basic training to the front lines of D-Day brings all the terrors and isolation of war to life with jolting authenticity. Overlord is both a document of World War II and a dreamlike meditation on man's smallness in a large, incomprehensible machine.

Seamlessly interweaving archival war footage and a fictional narrative, Stuart Cooper's immersive account of one twenty-year-old's journey from basic training to the front lines of D-Day brings all the terrors and isolation of war to life with jolting authenticity. Overlord is both a document of World War II and a dreamlike meditation on man's smallness in a large, incomprehensible machine.

Seamlessly interweaving archival war footage and a fictional narrative, Stuart Cooper’s immersive account of one twenty-year-old’s journey from basic training to the front lines of D-Day brings all the terrors and isolation of war to life with jolting authenticity. Overlord, impressionistically shot by Stanley Kubrick’s longtime cinematographer John Alcott, is both a document of World War II and a dreamlike meditation on man’s smallness in a large, incomprehensible machine.