Natalia Verbeke

The Method -- Lose yourself, find the truth. A sci-fi drama about a new crime solving technique.

Dot the I -- Young lovers in London are wrapped up in a thrilling love triangle that may not be exactly what it seems.

When their maid unceremoniously quits, stodgy French businessman Jean-Louis and his socialite wife replace her with a vivacious Spanish lass who, along with her spirited friends, shows Jean-Louis a world beyond his circumscribed bourgeois life.

Paris, 1960. Jean-Louis (Fabrice Luchini, Potiche, The Girl From Monaco) lives a bourgeois existence with his neurotic socialite wife Suzanne (Sandrine Kiberlain, Mademoiselle Chambon) while their children are away at boarding school. The couple’s world is turned upside-down when they hire María, a Spanish maid who introduces Jean-Louis to an alternative reality a few stories up on the sixth floor servants' quarters. Befriending a group of sassy Spanish maids (including Pedro Almódovar’s star Carmen Maura, Volver, Women on the Verge of a Nervous Breakdown), the women teach him there’s more to life than stocks and bonds, and their influence on the house ultimately transforms everyone’s life.

Elizabeth Hurley stars as Rebecca Fairbanks, an out-of-work actress who's eager to sink her teeth into a meaty role. But when she gets a chance to play Belle Gunness, a 19th-century serial killer, she becomes a little too immersed in her character. Between dealing with her pushy stage mother (Carmen du Sautoy) and starring opposite her ex-lover (Jeremy Sisto), Rebecca's sanity begins to fray -- and the consequences could be deadly.

Young lovers in London are wrapped up in a thrilling love triangle that may not be exactly what it seems.

Young lovers in London are wrapped up in a thrilling love triangle that may not be exactly what it seems.

A wavering bride, a stranger, an earnest groom: "romantic triangle," right? Think again. To that set-up, filmmaker Matthew Parkhill adds twist after twist to shape a surprising romantic thriller. Gael Garcia Bernal (The Motorcycle Diaries) plays the stranger. Natalia Verbeke is Carmen. And James D'Arcy (Master and Commander: The Far Side of the World) portrays her fiance. Each has secrets to be revealed. Each is prey to the others' agendas. Keep your eyes open. Don't miss a detail. Cross your t's and Dot the I.

A light, droll romantic comedy, Jump Tomorrow, directed by Joel Hopkins, is a thoroughly modern look at love that pays humble homage to the great screwball tradition of race-to-the-altar comedies. This indie comedy from IFC stars the wonderfully deadpan Tunde Adebimpe as George, a shy and awkward introvert whose button-downed, bespectacled appearance pretty much sums him up. In three days, he is scheduled to marry Sophie (Abiola Wendy Abrams), the lovely Nigerian girl his family has selected to be his wife. Everything has been arranged and the staid George, never one to make trouble, is ready to go along. But when he arrives at the airport a day late to meet his bride-to-be, he instead meets two people who cause him suddenly to question his destiny.

A wavering bride, a stranger, an earnest groom: "romantic triangle," right? Think again. To that set-up, filmmaker Matthew Parkhill adds twist after twist to shape a surprising romantic thriller. Gael Garcia Bernal plays the stranger. Natalia Verbeke is Carmen. And James D'Arcy portrays her fiance. Each has secrets to be revealed. Each is prey to the others' agendas. Keep your eyes open. Don't miss a detail. Cross your t's and DOT THE I.

Two strangers help George decide if he should go through with a pre-arranged marriage to a woman he has never met or if he should follow his heart and lead his own life.

Two strangers help George decide if he should go through with a pre-arranged marriage to a woman he has never met or if he should follow his heart and lead his own life.