Myrna Fahey

Vincent Price stars in Roger Corman's first Edgar Allan Poe adaptation as Roderick Usher, whose cursed New England bloodline dooms him and his sister, Madeline (Myrna Fahey), to madness and debauchery. When Philip Winthrop (Mark Damon) arrives at the grim Usher mansion with plans of marrying Madeline, Roderick attempts to dissuade him with the tales of the Usher curse. But Philip is undeterred ... until the horrors begin.

Douglas Sirk's memorable remake of the Fannie Hurst story, with incandescent Lana Turner.

Living a lie is a poor substitute for living the truth - sometimes it takes the harsh realities of life to help us discover who we truly are. The legendary Lana Turner stars in this 1959 version of Fannie Hurst's emotionally charged drama, which chronicles two widows and their troubled daughters as they struggle to find true happiness amidst racial prejudice. Lana Turner plays Lora, a single white mother whose Hollywood starlet ambitions come at the expense of any meaningful relationship with her daughter, Susie (Sandra Dee). Lora's black housekeeper, Annie (Juanita Moore), has troubles of her own as she faces the rejection of her own fair-skinned daughter, Sarah Jane (Susan Kohner), who abandons her heritage for a chance to be accepted as white. As years of selfishness and denial pass, tragedy strikes and forces the women to come to terms with their own identities. Moore and Kohner were both Oscar(R)-nominated for "Best Supporting Actress" for their stirring performances. This lavish production, directed by Douglas Sirk (MAGNIFICENT OBSESSION), was a critical and commercial success, and today remains both a testament to its time and a beloved Hollywood classic.

Roy "Mad Dog" Earle is an aging bank robber who intends to pull off one last heist before retiring.

Based on the Humphrey Bogart starmaking classic High Sierra, I Died a Thousand Times brings vivid Warnercolor richness and the enveloping expanse of CinemaScope to the gritty saga of old-timer Roy "Mad Dog" Earle (Jack Palance).

Based on the Humphrey Bogart starmaking classic High Sierra, I Died a Thousand Times brings vivid Warnercolor richness and the enveloping expanse of CinemaScope to the gritty saga of old-timer Roy "Mad Dog" Earle (Jack Palance).

Based on the Humphrey Bogart star making classic High Sierra, I Died a Thousand Times brings vivid Warnercolor richness and the enveloping expanse of CinemaScope to the gritty saga of old-timer Roy "Mad Dog" Earle (Jack Palance), just released from prison and leading nervous small-timers (Lee Marvin and Earl Holliman) on a resort heist fated not to go like clockwork. Soft-hearted Earle is so drawn to a crippled girl (Lori Nelson) that he pays for curative operation. But when things go wrong, it's a brassy dime-a-dance girl (Shelley Winters) who stands beside him. Veterans Lon Chaney and Mae Clarke and newcomers Dennis Hopper and Richard Davalos are featured in the top-flight cast. With a taut script by High Sierra novelist W.R. Burnett and a heart-pounding manhunt finale, I Died a Thousand Times is a rousing, memorable thriller.

Living a lie is a poor substitute for living the truth - sometimes it takes the harsh realties of life to help us discover who we truly are. The legendary Lana Turner stars in this 1959 version of Fannie Hurst's emotionally charged drama, which chronicles two widows and their troubled daughters as they struggle to find true happiness amidst racial prejudice. Lana Turner plays Lora, a single white mother whose Hollywood starlet ambitions come at the expense of any meaningful relationship with her daughter, Susie (Sandra Dee). Lora's black housekeeper, Annie (Juanita Moore), has troubles of her own as she faces the rejection of her own fair-skinned daughter, Sarah Jane (Susan Kohner), who abandons her heritage for a chance to be accepted as white. As years of selfishness and denial pass, tragedy strikes and forces the women to come to terms with their own identities. Moore and Kohner were both Oscar -nominated for 'Best Supporting Actress' for their stirring performances. This lavish production, directed by Douglas Sirk (Magnificent Obsession), was a critical and commercial success, and today remains both a testament to its time and a beloved Hollywood classic.