Morgan Farley

Soylent Green -- This is the year 2022. Overcrowding, pollution, and resource depletion have reduced society's leaders to finding food for the teeming masses. The answer is Soylent Green.

High Noon -- A marshall, personally compelled to face a returning deadly enemy, finds that his own town refuses to help him.

F. Scott Fitzgerald's fascinating tale of studio politics in early Hollywood is breathtakingly adapted to the big screen by Elia Kazan and scriptwriter Harold Pinter. Robert De Niro heads a powerhouse cast as studio head Monroe Stahr, a thinly disguised Irving Thalberg character in command of his studio but haunted by a love lost to the past. Tony Curtis, Robert Mitchum, Jeanne Moreau, Theresa Russell, Anjelica Huston and Jack Nicholson contribute stirring supporting performances to this richly detailed '30s-era gem.

Sgt. Pepper's Lonely Hearts Club Band. Small town band hits it big, but they must battle a nefarious plot in the music industry.

The Beatles's album comes to life populated with 1970s pop stars. Mean Mr. Mustard menaces the happy hamlet of Heartland until pop wunderkind Billy Shears resurrects the villain's musical nemeses, the titular band, bringing mirth back to the town.

A veritable who's who of the rock and roll scene of the late 1970s join forces for this fun romp loosely inspired by the Beatles album of the same name. In this imaginative film, a rock band comes to the rescue of a small town suffering from boredom.

A veritable who's who of the rock and roll scene of the late 1970s join forces for this fun romp loosely inspired by the Beatles album of the same name. In this imaginative film, a rock band comes to the rescue of a small town suffering from boredom.

Starring Peter Frampton and The Bee Gees along with Steve Martin, George Burns, Aerosmith, Alice Cooper, Billy Preston and Earth, Wind and Fire performing almost two dozen incredible Beatles covers, Sgt. Pepper's Lonely Hearts Club Band is a landmark of pop culture and an all-star musical spectacular for fans of all ages.

Joe Pendleton is a Los Angeles Rams quarterback who is accidentally summoned to Heaven by a celestial escort. Pendleton is returned to earth in the body of another man, who is a corporate giant. While practicing to once again play for the Rams, Pendleton must escape attempts on his life while romantically pursuing a beautiful woman who protests the destruction caused to her village by one of his corporations.

A veritable who's who of the rock and roll scene of the late 1970's join forces for this fun romp loosely inspired by the Beatles album of the same name. In this imaginative film, a rock band comes to the rescue of a small town suffering from boredom.

A hapless, hustling young attorney, Leo Harrigan (Ryan O'Neal), is on the run from an irate client when he falls into the hands of pioneer independent filmmaker H. H. Cobb (Brian Keith). As Harrigan begins writing for Cobb's Kinegraph Studios, he meets Kathleen (Jane Hitchcock), an aspiring actress, and falls instantly in love. Hoping to avoid the prying eyes of larger, rival production companies, Cobb hustles Harrigan off to direct several silent action films in the prairies of the Midwest. Although one of the major studios sends an enforcer, ex-alligator wrestler "Buck" Greenway (Burt Reynolds), to make trouble, after a fight with Harrigan, he agrees to join the company as its leading man. And during the filming of an action sequence, Buck and Kathleen are brought together in the basket of a runaway balloon and agree to marry. The entire crew, including Alice (Tatum O'Neal), a teenage truck driver who runs her own prop rental business, moves to Hollywood where they walk into a nickelodeon that is showing edited versions of the films they have been sending Cobb. Irate, they confront the studio tycoon and announce plans to form their own company. But the restrictions of a large studio and a romantic triangle conspire to break up the relationship until they reunite at the opening of D.W. Griffith's "The Birth of a Nation," where a new age in filmmaking is born.

F. Scott Fitzgerald's fascinating tale of studio politics in early Hollywood is breathtakingly adapted to the big screen by Elia Kazan and scriptwriter Harold Pinter.