Most of Michelangelo Antonioni's disorienting opening scene, Monica Vitti as Vittoria, Francisco Rabal as boyfriend Riccardo, inside an apartment in Rome's modernistic EUR district, from the third film in the trilogy begun with L'Avventura and La Notte, L'Eclisse, 1962.
Having retreated to the apartment of her mother (Lilla Brignone) from the Rome stock exchange, this is the first full encounter between newly unattached Vittoria (Monica Vitti) and Piero (Alain Delon), her mother's broker, in Michelangelo Antonioni's L'Eclisse, 1962.
Advancing no particular story line, Vittoria (Monica Vitti) visits the Rome stock exchange, where she flags down her mother (Lilla Brignone) and incidentally meets her broker Piero (Alain Delon), in third film Michelangelo Antonioni's trilogy of the period, L'Eclisse, 1962.
Bored Roman apartment dwellers Vittoria (Monica Vitti), who's just left her boyfriend, and Anita (Rossana Rory) visit Marta (Mirella Ricciardi), just moved home Africa, her racist views put to improbable use by director Michelangelo Antonioni, in L'Eclisse, 1962.
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A girl mysteriously disappears on a yachting trip. While her lover and her best friend search for her across Italy, they begin an affair.
Director Michael Ritchie, well respected for his perceptive satirical jabs at American society in such diverse films as The Bad News Bears, Semi-Tough, and Smile, presents us with a charming love story while he delivers a gentle swipe at his own movie making industry. Set in the midst of the frenzied goings-on of the Cannes Film Festival (many sequences were actually filmed during the 1976 event), this romantic comedy concerns the relationship between a young idealistic American film-maker (Keith Carradine) and the beautiful wife of a powerful Italian producer (Monica Vitti). Of course, they fall passionately in love...
A young filmmaker falls in love with a successful Italian producer's wife.
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