Mitch Mitchell

From a commercial agent to Mary Mary's manager, Mitch discusses his interesting journey into the life of Erica and Tina Campbell.

UTTM Military Analyst Col. Mitch Mitchell (Ret.) discusses the military operation that defeated Osama Bin Laden.

Rolling Stones: Rock And Roll Circus movie trailer - starring John Lennon, Mick Jagger, Who, The, Rolling Stones, Jethro Tull. Genre: Non-Fiction Rating: Not Rated

UTTM Military Analyst Col. Mitch Mitchell (Ret.) joins UTTM anchor Emily Smith to discuss the fallout from Afghan war commander Gen. Stanley McChrystal's comments in a Rolling Stone article.

Thursday marked the deadliest day on Iraq in over a year with nearly 80 dead in two separate suicide attacks. UTTM Military Analyst Col. Mitch Mitchell (Ret.) discusses Iraqi security and the movement of U.S. troops out of Iraq and into Afghanistan.

Retired Army Col. Mitch Mitchell, UTTM Military Analyst, offers some insight on President Obama's speech to the nation regarding military actions in Libya.

The most important audio recording released in the nineties wasn't a collection of songs by a self-tortured alternative star. The most important recording released in the grunge era was entitled Shut Up Little Man! It was a covert audio recording of two older drunken men living in a small flat in San Francisco, who spent their available free time yelling, screaming, hitting and generally abusing each other. The phenomenon began in 1987 when Eddie and Mitch (two young punks from the Mid West), moved next door to Peter Haskett (a flamboyant gay man), and Raymond Huffman (a raging homophobe). This ultimate odd-couple hated each other with raging abandon, and through the paper-thin walls their alcohol-fuelled rants terrorised Eddie and Mitch. Fearing for their lives they began to tape record evidence of the insane goings on from next door. In recording Pete and Ray s unique dialogue, the boys accidentally created one of the world s first viral pop-culture sensations. Their tapes went on to inspire a cult following, spawning sell-out CD s, comic artworks by Dan Clowes (Ghostworld), stage-plays, music from the likes of Devo and a Hollywood feeding frenzy. For the newly famous Eddie and Mitchell, this would be a life-changing experience that would see them ingested into the belly and fired out the orifice of the pop culture beast. In this first feature to come out of the SAFC s FilmLab initiative, Matthew Bate (What the Future Sounded Like, Mystery of Flying Kicks) explores the blurring boundaries between privacy, art and exploitation.