As the sun streams into an upper-class English drawing room, Sylvia (Rebecca Hall) — flame-haired, corseted, regal — stands up from her morning tea and hurls a plate at her husband, Christopher (Sherlock's Benedict Cumberbatch). She misses. He doesn't even flinch.
Meet Mr. and Mrs. Tietjens. The deliciously snobby (and terribly unfaithful) socialite and her unfailingly decent husband are two sides of the love triangle in Parade's End, HBO's five-part miniseries about longing and lies in World War I-era Britain. The third is angelic Valentine (Adelaide Clemens), an idealistic suffragette and Christopher's soul mate. She's everything Sylvia's not: sensitive, faithful — and a virgin. "Valentine is this kernel of truth and innocence," Cumberbatch says. "She's incredibly sharp and...
Confession of a lifelong horror fan: The first season of FX's American Horror Story left me cold, more appalled than terrified at the overindulgent mishmash of psychosexual poppycock ensnaring unpleasant characters, plus the overkill of a house teeming with too many tedious ghosts, proving the adage that more can be less — effective, that is, although the hype and the buzz carried it to a whopping 17 Emmy nominations (in the miniseries category, where the competition is less fierce).
Cheers to Rubicon for crossing the finish line in fine style.
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The first season of AMC's conspiracy thriller ended with a relatively action-packed episode that answered some key questions while leaving others hanging. James Badge Dale's intelligence analyst Will Travers finally put together all the pieces of the puzzle to determine how API, his thinktank, had manipulated tragic world events for profit and confronted one of the masterminds behind the plan, Truxton Spangler (the brilliantly chilling Michael Cristofer). Meanwhile, Will's ex-bedmate, Andy (Annie Parisse), was revealed to be an operative — who was sadly unable to save widow Katherine Rhumor (Miranda Richardson) from being murdered in the middle of Central Park...
The times, they are always a changin' on Mad Men, but as often happens with this fascinatingly unpredictable series, the changes come where you least expect them. After the last several weeks of intense workplace drama, priming us for another game-changer in the wake of Don Draper's anti-tobacco manifesto, Sunday's thoroughly absorbing and entertaining fourth-season finale takes a startling hairpin turn back to the personal. Cut to the headline: Don's getting married. To Megan!
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The main action: While Peggy triumphantly lands a new pantyhose account, the first win for the troubled agency since the Lucky Strike defection, Don takes the kids to California, world of Tomorrowland (the episode's title), and has a personal epiphany about his own future — as it relates to his tormented and once-hidden past — in the lovely and toothsome presence of Megan, the ethereal secretary-turned-nanny who is every inch the anti-Betty...
It's a few hours into a June day of shooting on the New York set of AMC's Rubicon. The set is breathlessly quiet, and the show's star, James Badge Dale, is staring at a photograph.
The quiet is finally broken when Dale's character, Will Travers, begins jotting down notes on index cards with a Sharpie. That's right: With four episodes of the conspiracy thriller's first season left to shoot, there are no car bombs, no sniper fire, no creepy phone calls — just the squeak of the marker moving over paper.
Rubicon's James Badge Dale: "Our show is not for everybody"
"We're spinning a yarn. We're trying to do something different than what's normally done on television, and it's not going to be for everybody," Dale tells TVGuide.com during a break. "We want to do something subtle. ... We're asking people to sit down and be taken on a ride, albeit not a very fast one...