After historical framing of the fictional principality of Bergamo in the prologue by director Ernst Lubitsch, just married Countess Angelina (Betty Grable) and Mario (Cesar Romero) working double-entendres in Samson Raphaelson's script, opening That Lady In Ermine, 1948.
As the ancestors from the Southern European principality of Bergamo emerge from their portraits, they are led by Countess Francesca (Betty Grable), who held back a Hungarian army centuries ago, tune by Fredrick Hollander and Leo Robin, in Ernst Lubitsch's That Lady In Ermine, 1948.
Hungarian officer known only as 'The Colonel' (Douglas Fairbanks Jr.), with aide Horvat (Walter Abel) and Countess Francesca (Betty Grable), whose ghostly ancestor visited him, discussing her absent husband, in Ernst Lubitsch's That Lady In Ermine, 1948.
Newly happy and confident now that she's using alcohol to cope with grief over the death of her first husband, singer Lillian Roth (Susan Hayward) on a wild date with soldier Wallie (Don Taylor), whom she scarcely knows, in I'll Cry Tomorrow, 1955.
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Academy Award-winner Susan Hayward ("I Want to Live," "I Married a Witch") delivers an Oscar-nominated performance as singer-actress Lillian Roth, whose rise to stardom was nearly destroyed by alcoholism. This Academy Award-winning biography was nominated for four Oscars and co-stars Oscar-nominee Eddie Albert ("Roman Holiday," TV's "Green Acres"), Oscar-winner Jo Van Fleet ("East of Eden") and Richard Conte ("The Godfather").
Susan Hayward delivers an outstanding performance as singer- actress Lillian Roth, whose rise to stardom was nearly destroyed by alcoholism. Co-stars Eddie Albert, Jo Van Fleet and Richard Conte.
That Lady in Ermine tells two parallel stories, both taking place in the small Mittel-European duchy of Bergamo, but one set in the 19th century and the other in the 16th. In 1861, the Countess Angelina (Betty Grable) and her newlywed husband, Baron Mario, have just entered the bridal chamber when a Hungarian army regiment under the command of Colonel Teglash (Douglas Fairbanks, Jr.) invades. Mario flees the castle, leaving Angelina to face the invaders, just as her 16th --century ancestor Francesca (also Betty Grable) was forced to protect her turf under similar circumstances. Colonel Teglash is struck by a portrait of Francesca (the lady in ermine of the title), and the resemblance between her and Angelina makes it difficult for him to rule with his customary iron fist. Meanwhile, Francesca haunts the dreams of both Angelina and Teglash. She appears to advise Angelina to pretend interest in the colonel and then kill him, much as she herself did so many years ago. At the same time, Teglash dreams that Francesca/Angelina overcomes the desire to kill him and falls in love with him.
That Lady in Ermine tells two parallel stories, both taking place in the small Mittel-European duchy of Bergamo, but one set in the 19th century and the other in the 16th.
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