If you managed to catch the preview for this episode — and I’m not sure you could have missed it since it aired every half-hour for a week straight — you knew the end was coming. “You’re the man I want to want!” wails Lorelai in the promo. So when she finally choked out those sad words in the episode, they kinda lost their kick-to-the-stomach-effect. Which was a shame, because the familiarity practically robbed us of her honesty. It’s as if the lines were delivered by a woman on truth serum, admitting to one horrible thing after another: “I still have feelings for Luke.” “I jumped.” “I’ve always thought of you as a possibility” (BTW: Chris, “possibility” is another word for “backup.” Ouch.) And then the Big Line. Chris took it well, actually. Who wants to hear that someone wants to love you, but you know, they just can’t muster up the feelings? Interesting: Chris is a selfish jerk, but som...
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Normally, I love to write about reruns, especially my favorite show. There’s sitting back all comfy on the couch, knowing what’s going to happen next, but keeping an eye out for some of the things I might have missed. (This is GG, after all, and no mater how devoted you are, something great was going to zoom right past you.) It’s fun catching those fly-by slys or finally understanding one of Michel’s bizarre jokes. (Am I the only one who sometimes has a hard time understanding his over-the-top French accent. Good thing for closed captioning!)But this was a repeat of “The Long Morrow,” the season premiere, and the first ep written by new show runner David Rosenthal. The first time it aired, there was no sitting cushy, there were no snacks and there was certainly no talking out loud. Not even during commercials. I was watching this ep the way Rory reads Camus under a tree on campus -- with complete concentration and absolutely no distractions. Do you reme...
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Alright, is everyone calm? If not, take a deep breath. Another. One more. Are you all OK after that final scene? Good. So let’s be rational for a few minutes. We knew it was coming. We knew Chris would tell Lorelai he loved her, that she was the one, that their night together felt right, that he’d wait forever until she realized they were meant to be. (Yes, she was wearing a white gown and holding flowers. And he was dressed in what looked like a tie-less tux. But let’s not digress.) It happened. Said. Done. Wait, you’re probably saying. Why are we breezing right past this? Because it wasn’t the most important part of the ep. Not by a long shot. We’ll get back to that later.It happened at the kitchen table, as things usually do in the Gilmore home. The identity crisis. It was pretty close to the whole “who-am-I-where-am-I-going” Tony Soprano moment, but over boxes of Pop-Tarts, not a crazy uncle and a really gross gunshot wound. How long have ...
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Before I tell you what you'll find in my exclusive interview with Gilmore Girls CEO Amy Sherman-Palladino below, let me tell you what you won't: Any mention of the growing (at least based on the Ask Ausiello feedback I've been receiving) fan backlash involving a certain long-lost "turtle" named April and the tension her presence is creating between Luke and Lorelai. Judge me and my interview skills all you want, but I just didn't go there. That heated discussion would have hijacked the entire interview and, as a result, compromised my primary mission: to seize as much prattle as I could about this season's final six episodes, the show's future on CW and Team Palladino's highly publicized contract talks. Also, in the spirit of full disclosure, as much as I worship the ground AS-P
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