Bill Lewis

It's 3:00 a.m. in Manhattan, the hour of rumbling garbage trucks, glaring headlights, and the bluish florescent glow of the all-night delis. Trudging alongside the honking traffic, Ahmad drags a coffee and bagel cart to a busy midtown corner. Hours later, he is swiftly and efficiently selling steaming cups of "coffee regular" to rushing New Yorkers. In the afternoons, he battles traffic to return the cart to a warehouse, occasionally peddling bootleg DVDs for extra cash along the way. A solitary, quiet loner, Ahmad strikes up slightly awkward friendships with Noemi, a young Spanish woman who works at a newsstand, and wealthy, jovial Mohammad, who is shocked when he realizes Ahmad was a famous singer in Pakistan. Through Ahmad's relationships with both his new friends, and his estranged family, we come to understand that he is haunted by a tragedy in his past. A beautifully crafted character study that captures the textures of a very specific New York experience, Ramin Bahrani's Man Push Cart is a subtle, insightful portrait of a man struggling with issues of identity, self-worth, and the harsh realities of finding a place to belong in a vast, often-unfriendly American metropolis.

Man Push Cart tells the story of Ahmad (Ahmad Razvi), a former Pakistani rock singer who ekes out a living selling coffee and donuts to morning commuters from his push cart in Midtown Manhattan. Ahmad supplements his income by selling bootleg porn DVDs, carefully saving his money to afford a place where he might be able to live with his estranged young son. It is a harsh, often humiliating life, but Ahmad carries on with a stoic dignity and sensitivity, seemingly determined to find his way. Then the dull routine of his life is brightened by two developments: the arrival of a young Spanish woman (Leticia Dolera) working down the street in a newspaper kiosk; and an offer of assistance from a wealthy fellow Pakistani (Charles Daniel Sandoval), who remembers Ahmad's former life as a rock star. While Ahmad strives to pursue these two new possibilities at a better life, the film returns regularly to the act of him setting up his cart in the early morning darkness: his preparations for opening, the other immigrant.

Every night while the city sleeps, Ahmad, a former rock star in his native Pakistan, drags his heavy cart along the streets of New York. Every morning, he sells coffee and donuts to a city he cannot call his own. One day, however, the pattern of this harsh existence is broken by a glimmer of hope for a better life.