Multiple Oscar nominee and three-time Emmy winner Laura Linney will give series television a try in Showtime's new half-hour series about cancer, the cable channel announced.
See photos of Linney throughout her career
The series, tentatively titled The C Word, will also be executive produced by Linney, who stars as a suburban wife and mother who explores the emotional ups and downs of a cancer battle. She is, however, able to find the light side of the dark situation.
"Cancer is not usually the subject of half-hour comedy, but Laura saw what we did in this complex show," Robert Greenblatt, Showtime's president of entertainment, said in a statement. "She will no doubt make this character both heartbreaking and disarmingly funny, and we're thrilled that she has chosen this show for her foray into series television."
Linney earned Emmys ...
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The 60th annual Emmy Awards set out to honor TV history and ended up making a little of its own. As expected, AMC's stylishly adult 60s-era drama Mad Men took home the best drama prize, the first ever for a basic cable series. The upstart channel delivered a much more shocking triumph in Bryan Cranston's surprise (but well-earned) win for Breaking Bad. "She's bald, too," marveled the actor, who shaved his head to play Walter White, a cancer-ravaged teacher-turned-meth dealer. Best known for outrageous comedy roles like the dad in Malcolm in the Middle, Cranston is a well-liked star who was considered an underdog in a strong field that included fellow AMC leading man Jon Hamm of Mad Men, House's Hugh Laurie (amazingly, still empty-handed), Dexter's brilliant Michael C. Hall, In Treatment's brooding Gabriel Byrne and Boston Legal's showboating James Spader.
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I love it when TV can be both very, very good as well as good for you. Such is the case with a logjam of terrific historical dramas competing for attention this Sunday. Two of them had me fighting back tears (and occasionally losing the fight), and then theres Showtimes The Tudors, that stimulating royal tonic of sex, religion and other courtly intrigues. Not a lot of boo-hooing while watching this Henry VIII romp, but rarely a dull moment, either.The quality honors this weekend go to HBO and PBS. HBO for concluding its remarkable John Adams miniseries with an episode of quiet, pained humanity as the nations second president (Paul Giamatti) goes into retirement with about as much gracewhich is to say, very littleas he conducted himself in the political arena. Grumpy, discontent, impatient to the end and convinced hell be forgotten by time, John never lets up. Theres a terrific scene in which hes invited, in his 90s, to view the portrai...
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Why not start off a glorious spring week a week that continues the welcome rollout of shows returning from long strike hiatus with some positive thoughts? Starting with the return of Bones to Foxs schedule. For those keeping track in this confusing midseason, Mondays are now the new Tuesdays for Fox. And once House kicks back in with new episodes starting April 28 (a House repeat airs next Monday), Mondays will almost feel like the new Thursdays with so many choices on the suddenly overstuffed night, as Foxs first-rate drama combo faces ABCs blazing-hot Dancing with the Stars, CBS terrific comedy lineup and the ever-popular CSI: Miami, as well as a cult fave in the CWs returning Gossip Girl and NBCs ubiquitous Deal or No Deal. Whew.But back to Bones, one of TVs most purely enjoyable procedural crime dramas. Yes, there are icky remains to deal with (a body boiled in a sulfurous mud pit), but the fun of Bones is in the playful in...
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Cheers (or should I say "Huzzah!") to Laura Linney for her glorious portrayal of Abigail Adams in HBO's rousing miniseries John Adams. It's easy to understand the Founding Father's devotion to his First Lady: She's headstrong yet steadfast, fiercely protective of her family and knows how to handle a gun. Where can I find a woman like that? The Savages star should've won an Oscar or two by now, but she can rest assured she'll win her third Emmy (after Frasier and 2001's TV-movie Wild Iris) for this truly revolutionary performance.
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