Klaus Kinski

Crawlspace -- Gunther seems like a conscientious landlord who looks out for his female tenants. What they don't know is that he has a crawlspace from where he watches their every intimate move and plans their murders.

Knife Blade hand hooded killer in castle.

Klaus Kinski is at his creepy best as Karl Gunther, whose boarding house for young women hides some sinister secrets. He spends his downtime stalking his tenants from hidden passages and carrying out kinky, sadistic experiments. The son of a psychotic SS doctor, Gunther is being tracked by a famed Nazi hunter. But until he's caught, more unassuming women will fall victim to his depravity. Talia Balsam and Barbara Whinnery co-star.

Gunther seems like a conscientious landlord who looks out for his female tenants. What they don't know is that he has a crawlspace from where he watches their every intimate move and plans their murders.

Gunther seems like a conscientious landlord who looks out for his female tenants. What they don't know is that he has a crawlspace from where he watches their every intimate move and plans their murders.

Palestinian intelligence says she's loyal to their cause. Israeli counterintelligence says she's "bright, creative, underused, romantic and a liar." Academy Award winner* Diane Keaton stars as Charlie, a repertory actress and Palestinian sympathizer who plays the role of - and for - her life when she's thrust onto the center stage of international espionage. Klaus Kinski and Yorgo Voyagis co-star as shrewd Israeli operatives who plot to use Charlie as bait to capture an elusive Palestinian terrorist (Sami Frey). Director George Roy Hill masterfully arranges the pieces of this cloak-and-dagger puzzle based on John le Carré's bestseller into a dazzling thriller racing full tilt through London, Munich, Athens, Jerusalem and Beirut. March to the enthralling beat of The Little Drummer Girl.

An American actress disillusioned with her life, travels to Greece and gets recruited by an Israeli intelligence agency. There, she pretends to be the girlfriend of the dead brother of a Palestinian bomber.

Documentary portrait of filmmaker Werner Herzog's ill-fated production of his epic adventure Fitzcarraldo.

A lonely android begins to experience human emotion in this low-budget sci-fi thriller. Sequestered at a remote space station, Dr. Daniel (Klaus Kinski) works to develop a race of androids with human traits. When three criminals arrive, Daniel's prototype android, Max. 404 (Don Opper), begins to fall in love with a member of the gang (Brie Howard). But love isn't the only thing on Max's mind; he also exhibits the worst of human traits: violence.

For nearly five years, acclaimed German filmmaker Werner Herzog desperately tried to complete one of the most ambitious and difficult films of his career, Fitzcarraldo, the story of one man's attempt to build an opera house deep in the Amazon jungle. Documentary filmmaker Les Blank captured the unfolding of this production, made more perilous by Herzog's determination to shoot the most daunting scenes without models or special effects, including a sequence requiring hundreds of native Indians to pull a full-size, 320-ton steamship over a small mountain. The result is an extraordinary document of the filmmaking process and a unique look into the single-minded mission of one of cinema's most fearless directors.

For nearly five years, acclaimed German filmmaker Werner Herzog desperately tried to complete one of the most ambitious and difficult films of his career, Fitzcarraldo, the story of one man's attempt to build an opera house deep in the Amazon jungle. Documentary filmmaker Les Blank captured the unfolding of this production, made more perilous by Herzog's determination to shoot the most daunting scenes without models or special effects, including a sequence requiring hundreds of native Indians to pull a full-size, 320-ton steamship over a small mountain. The result is an extraordinary document of the filmmaking process and a unique look into the single-minded mission of one of cinema's most fearless directors.

Life is nothing but opera and we perform our libretto until the last accords of music play: Chan! Chan!