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VIDEO: Wedding Night, The (1935) -- (Movie Clip) Give Another Pig!

Now friends and resigned to her getting married, writer Tony (Gary Cooper) and Polish maid Manya (Anna Sten) share candid moments in King Vidor's The Wedding Night, 1935, from Samuel Goldwyn. watch

VIDEO: The Champ

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The Champ
Free | IMDB Videos

Posted: 1/14/2010

The Champ (1931) -- Trailer for this drama directed by King Vidor watch

VIDEO: Fountainhead, The -- (Movie Clip) Gail Wynand

Critic Toohey (Robert Douglas) pitches an architect to bored newspaper titan Wynand (Raymond Massey) in The Fountainhead, 1949, directed by King Vidor, from Ayn Rand's novel and script. watch

King Vidor on his approach to directing, from his 1973 interview with Richard Schickel for the documentary series "The Men Who Made the Movies."
Free | TCM

Posted: 6/1/2009
King Vidor on directing The Crowd 1928, from his 1973 interview with Richard Schickel for the historic "The Men Who Made the Movies" documentary series.
Free | TCM

Posted: 6/1/2009
Hallelujah (1929), director King Vidor's early talkie classic, about a black sharecropper who falls for a dancer in a juke joint.
Free | TCM

Posted: 11/14/2008
Screenwriter Richard Wesley discusses a scene in director King Vidor's early talkie movie Hallelujah (1929).
Free | TCM

Posted: 8/1/2008
more King Vidor videos (35 total videos)
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Year Title Description
1982 Love And Money Movie, Actor - Walter Klein
1959 Solomon And Sheba Movie, Director
1956 War And Peace Movie, Director
1956 War And Peace Movie, Writer
1955 Man Without A Star Movie, Director

more King Vidor credits (51 total credits)

When did directors start ...

Question: When did directors start getting credits like “Alfred Hitchcock’s Psycho," where their names are given as "owners" of their films?


Answer: That’s called a possessory credit, and popular belief is that it’s a product of the '50s, when directors began thinking of themselves as solo auteurs rather than parts of a collaborative team. This struck many other behind-the-scenes personnel, especially screenwriters, as a world-class case of too-big-for-their-britches syndrome. Otto Preminger lobbied hard for and got the especially lofty “A film by Otto Preminger” credit, which prompted a legendary exchange between director Billy Wilder and screenwriter I.A.L. Diamond. “That’s Otto Preminger’s house,” Wilder is supposed to have observed as they were driving, to which Diamond replied, “No, that’s ‘A House by Ot read more

more King Vidor news (1 total news articles)
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