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When did directors start ...

Question: When did directors start getting credits like “Alfred Hitchcock’s Psycho," where their names are given as "owners" of their films?


Answer: That’s called a possessory credit, and popular belief is that it’s a product of the '50s, when directors began thinking of themselves as solo auteurs rather than parts of a collaborative team. This struck many other behind-the-scenes personnel, especially screenwriters, as a world-class case of too-big-for-their-britches syndrome. Otto Preminger lobbied hard for and got the especially lofty “A film by Otto Preminger” credit, which prompted a legendary exchange between director Billy Wilder and screenwriter I.A.L. Diamond. “That’s Otto Preminger’s house,” Wilder is supposed to have observed as they were driving, to which Diamond replied, “No, that’s ‘A House by Ot read full article

King Vidor on his approach to directing, from his 1973 interview with Richard Schickel for...
Free | TCM

Posted: 6/1/2009
King Vidor on directing The Crowd 1928, from his 1973 interview with Richard Schickel for the...
Free | TCM

Posted: 6/1/2009
Hallelujah (1929), director King Vidor's early talkie classic, about a black sharecropper who...
Free | TCM

Posted: 11/14/2008
Robert Young plays a stuffy businessman who livens things up by having a fling with Hedy...
Free | TCM

Posted: 8/1/2008
more King Vidor videos (24 total videos)
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Title Year Type
Love And Money (Actor - Walter Klein) 1982 Movie
Solomon And Sheba (Director) 1959 Movie
War And Peace (Director) 1956 Movie
War And Peace (Writer) 1956 Movie
Man Without A Star (Director) 1955 Movie

more King Vidor credits (51 total credits)

When did directors start ...

Question: When did directors start getting credits like “Alfred Hitchcock’s Psycho," where their names are given as "owners" of their films?


Answer: That’s called a possessory credit, and popular belief is that it’s a product of the '50s, when directors began thinking of themselves as solo auteurs rather than parts of a collaborative team. This struck many other behind-the-scenes personnel, especially screenwriters, as a world-class case of too-big-for-their-britches syndrome. Otto Preminger lobbied hard for and got the especially lofty “A film by Otto Preminger” credit, which prompted a legendary exchange between director Billy Wilder and screenwriter I.A.L. Diamond. “That’s Otto Preminger’s house,” Wilder is supposed to have observed as they were driving, to which Diamond replied, “No, that’s ‘A House by Ot read more

more King Vidor news (1 total news articles)
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