Kim Bass

A love 'em and leave 'em Casanova discovers the danger of saying all the right things to exactly the wrong woman...this is one lady who isn't waiting to exhale.

Kim from The Reel Inn cooks up some Cajun sea bass for Adam.

In the mystifying opening sequence of Ballistic: Ecks vs. Sever, a double kidnapping takes place on a rainy night in Vancouver with a minimal amount of wasted time and a maximum amount of violence. A little boy is picked up at the airport by his mother (Talisa Soto), whose car is stopped minutes later by thugs who steal the boy and say they're taking him to his father. Rounding the corner, the thugs see a car explode in front of them, and a dump truck smashes into a wall of other cars, spraying fire. A hooded martial arts expert takes out the thugs with some impressive kicks and swirls, then grabs the boy and leaves. Secret agent Sever (Lucy Liu) is the kidnapper here, an angry, heavily armed nut who literally goes ballistic for unknown reasons. Using automatic weapons and other highly explosive artillery, she annihilates at least a hundred policeman in the next scene, outside a shopping mall. A retired secret agent, Ecks (Antonio Banderas), is the only man who can stop her, and when he does--temporarily--the two join forces against the real culprit, Robert Gant (Gregg Henry). Gant has crafted a dangerous assassination weapon that triggers death at the push of a button once it is injected into its victim's bloodstream. And that weapon is living inside the little boy. To save him, and stop the weapon from being used again, Ecks and Sever must get Gant.

Compilation of behind the scenes footage from Ballistic: Ecks vs. Sever.

The teaser trailer for The Runaways. The Runaways (Neon Angels) is based on lead-singer Cherie Currie's book 'Neon Angel' - a reflection of her experiences as a rock star, but also delivering a strong anti-drug warning to teens and others. David Bowie's 'Space Oddity' serves as a metaphor for the narrative-- a slow countdown, a surreal but spectacular rise to fame, then alienation and burnout - a long long way from home. The movie chronicles The Runaways from 1975 - 1977; formed by teenage girls living near Hollywood, CA., and heavily manipulated by their manager Kim Fowley as 'jailbait rock' (all the girls were 16 or younger when the band recorded their first album). The band ultimately succeeds on their own merits as musicians, becoming the first all-girl rock-band to ever break into the world of arena-filling hard rock acts. The movie focuses on the band's formation, and their meteoric rise to fame. Their first single, 'Cherry Bomb', gets some attention in the United States, where The Runaways' U.S. tour hits major venues (Cobo Hall, with RUSH) and sleazy rock-clubs, often pairing them up with The Ramones, Cheap Trick, Tom Petty, and other popular 1970's rock acts. But 'Cherry Bomb' and several other songs from The Runaways' first 2 albums become huge hits in Japan -- and their arrival for a set of shows there in 1977 is like Beatle-Mania. The band is overwhelmed by the Japanese reception. Almost prophetic, The Runaways' last big hit song in Japan is 'Neon Angels On The Road To Ruin'. Cherie is initially thrilled to be in the band, and lives the rock star life. She pushes the edge -- and their records sell well, generating lots of media controversy and hype. But during the tour of Japan, her personal life disnintegrates, and she burns out -- ultimately leaving The Runaways when they return to the U.S. The bass player (Jackie Fox) quits too, leaving only Lita Ford, J