Few things are more pleasing to our ears than Splash's hilarious personalized contestant walkout songs. And few things are more surprising to Splash supervising producer/in-house lyricist Rick Austin than the growing demand for them.
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"It's kind of crazy how much people love them," Austin tells TVGuide.com. "ABC had to start putting them up online [after each person's elimination]. The funny thing to us is that people might have them on their iPods, like they're actually real songs. You get ...
If you are watching Splash earnestly, you're doing it wrong. ABC's celebrity diving show is no game-changer to the reality genre. It's not going to dethrone The Amazing Race at the Emmys, let alone make the nominees list. Splash is terrible — but in the most amusing way possible. It's categorically ridiculous, daffy, harmless (well, except for you, Chuy), lighthearted, addictive and fun — and really, isn't that what TV should be? Don't believe us? Here are eight reasons why it's time to get off a get off your TV high horse and, uh, dive in.
How long has the Justified fan waited for someone to ask this question to Boyd Crowder: "Where did you get all of those teeth?" You'll likely be grinning yourself, while cringing at the edge of your seat, as the pleasures just keep multiplying — a high-octane Justified highball of great banter, tremendous suspense, clever twists and reversals — in a harrowing, hilarious and fantastically entertaining episode, so eventful you might mistake it for a season finale, but thankfully there are still two more episodes to go (Tuesday, 10/9c, FX) in this terrific fourth season.
It has all been building to this violent showdown between the forces of good (the U.S. marshals) and evil (everyone else, from Boyd's crew to an army of thugs and snipers representing the Detroit mob). The target is Drew Thompson (the great Jim Beaver), a 30-year fugitive in sheriff's clothing, currently in the marshals' custody, although they feel like sitting ducks, outnumbered and outgunned in Harlan as they calculate several desperate escape maneuvers while awaiting rescue. The episode, written by exec producer Graham Yost and Chris Provenzano, is titled "Decoy," and revolves around a series of standoffs, confrontations and subterfuges that leave few unscathed and unbloodied. Special props to Patton Oswalt as the loyal and lovably resilient Constable Bob, who even Raylan has to admit is a "tough son-of-a-bitch" by the time the dust settles, following a tense encounter outside a (metaphorically apt) high-school principal's office.