Keith Davis

The Book of Eli -- A lone warrior (Denzel Washington) wanders the post-apocalyptic desert that was once America, battling lawlessness to realize his hope of a better future.

Andy lures his younger brother, Hank, into a larcenous scheme: the pair will rob a suburban mom-and-pop jewelry store that appears to be the quintessential easy target. The problem is, the store owners are Andy and Hank's real mom and pop.

In the not-too-distant future, some 30 years after the final war, a solitary man walks across the wasteland that was once America. A warrior not by choice but necessity, Eli (Denzel Washington) seeks only peace but, if challenged, will cut his attackers down before they realize their fatal mistake. It's not his life he guards so fiercely but his hope for the future; a hope he has carried and protected for 30 years and is determined to realize. Driven by this commitment and guided by his belief in something greater than himself, Eli does what he must to survive--and continue. Only one other man in this ruined world understands the power Eli holds, and is determined to make it his own: Carnegie (Gary Oldman), the self-appointed despot of a makeshift town of thieves and gunmen. Meanwhile, Carnegie's adopted daughter Solara (Mila Kunis) is fascinated by Eli for another reason: the glimpse he offers of what may exist beyond her stepfather's domain.

In "The Tombs," Manhattan's Men's House of Detention, the criminal fraternities - blacks, Puerto Ricans and a minority of whites - develop their own caste system and codes. When a white man, Clark Davis, accused of child molestation - a "short eyes" in prison parlance - arrives at the prison he becomes a catalyst for the anger and violence that erupts amongst the inmates.