The last new episode scheduled for 2007 reminded me of a couple of early 1970s films the brilliant The Conversation and the more obscure and not as good if still interesting Report to the Commissioner which was based on a novelas well as seeming to mark the end of Aya Sumikas role on the series though we can hope otherwiseIt begins with a fairly unexceptional mornings business at the FBI offices as Agents Reeves Diane Farr and Sinclair Alimi Ballard prepare to go pick up a suspect less routinely Liz Warner Sumika informs her boss and ex Don Eppes Rob Morrow that shes taking the opportunity to be temporarily reassigned to another unit in the Los Angeles office Eppes is surprised and conflicted but has little time to deal with that since in the lobby of the FBI building a man has charged in brandishing a gun and shooting an agent before charging into an elevator and taking a civilian hostage Sinclair exchanges himself for the hostage over Reevess ob
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Another fine episode and one that actually builds in part on the last one a rarity so far this seasonWe begin with the investigation of a possible suicide but more probably murder a middle-aged man who turns out to be a US attorney from the Midwest has fallen from a building in a scruffy part of Los Angeles Hes also a team leader in a real-life scavenger hunt that has grown out of a multi-user online battle game called Primacy The prize for the winning team in the real-life game is 1 million which seems motive enough and certainly there is no lack of suspects including members of the attorneys team who have left markers at the murder scene from previous visits Megan takes the lead on this case but her secret weapon she soon learns is Amita who has been playing Primacy for years An obsessed gamer who has been using fake identities to create his own team and who has killed his one actual coconspirator has been intimidating and harrassing other teams to fo
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Written by Sean Crouch this mightve been the best episode of the season so farWe begin with FBI agent Don Eppes Rob Morrow out on a date with a woman Leah Wexford Jennifer Riker whom we soon learn is in the witness-protection program After the chastest of goodnight kisses Wexford goes into her house and greets her teenage son Kevin G Schmidt whos watching television Don sits in his car for a moment after she goes in obviously a bit torn about what to do next shes made a gesture that suggests that she might be open to his coming in too but we havent heard their dialogue Then he starts his car and drives away A moment later someone knocks and presents an FBI badge at the front door of the Wexford house Leah opens the door clearly expecting Don only to be shot by the man who bursts in but shes not brought down till after she shepherds her son upstairs his shoulder is grazed by a bullet but she takes several to the abdomen before she collapses on the st
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Question: Is there a point to having Aaron Sorkin's Studio 60 on the Sunset Strip and Tina Fey's 30 Rock on the same network? Studio 60 looks more interesting, although the ad campaign seems to focus on the Network rip-off — I mean, homage — than on Sorkin. 30 Rock seems much more based on real life, with Tracy Morgan basically playing himself. However, it seems baffling that we have two shows about a fictional Saturday Night Live debuting at the same time. What are their long-term prospects?
Answer: These are excellent questions, and ones we've asked ourselves (and NBC during the press tour) repeatedly. The only way we're going to get a real answer is to see how the public responds. The dilemma facing both shows is that the track record isn't exactly great for TV shows set in the world of TV (not even Sorkin's brilliant Sports Night, whose pilot I enjoyed more than Studio 60). To their credit, the shows don't feel remotely like each other. 30 Rock is a straight-out comedy/satire,
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On the hit CBS drama Numbers (Fridays at 10 pm/ET), Rob Morrow plays Don Eppes, an FBI agent who is constantly picking his math-genius brother's brain in order to solve cases. Well, when TVGuide.com spent a few minutes picking the actor's brain for a change, the down-to-earth Morrow happily chatted about Numbers' Emmy chances, his golf game and all that math jargon.
TVGuide.com: Numbers always seems very intense, with a lot of locations and running around.
Rob Morrow: Definitely, and I like that. We set the bar. I don't think the show was intended to be that, but we just got into the action side of it and dec
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