Jonathan Schwartz

Like Crazy -- A British college student falls for an American student, only to be separated from him when she's banned from the U.S. after overstaying her visa.

Kaboom -- The latest film from iconoclastic independent filmmaker Gregg Araki, KABOOM is a hyper-stylized 'Twin Peaks' for the Coachella Generation, featuring a gorgeous young cast.

A British college student falls for an American student, only to be separated from him when she's banned from the U.S. after overstaying her visa.

A British college student falls for an American student, only to be separated from him when she's banned from the U.S. after overstaying her visa.

The latest film from iconoclastic independent filmmaker Gregg Araki, KABOOM is a hyper-stylized "Twin Peaks" for the Coachella Generation, featuring a gorgeous young cast.

Like Crazy beautifully illustrates how your first real love is as thrilling and blissful as it is fragile. When a British college student (Felicity Jones) falls for her American classmate (Anton Yelchin, Star Trek), they embark on a passionate and life-changing journey only to be separated by circumstances beyond their control. “Crazily inventive & totally irresistible*,” Like Crazy explores how a couple faces the real challenges of being together and of being apart. *Peter Travers, Rolling Stone

When a British college student (Felicity Jones)falls for her American classmate (Anton Yelchin) they embark on a passionate and life-changing journey only to be separated when she violates the terms of her visa. Like Crazy explores how a couple faces the real challenges of being together and of being apart.

The latest film from iconoclastic independent filmmaker Gregg Araki, KABOOM is a hyper-stylized ”Twin Peaks” for the Coachella Generation, featuring a gorgeous young cast. A wild, witty and sex-drenched horror-comedy thriller, KABOOM tells the story of Smith (Thomas Dekker), an ambisexual 18-year-old college freshman who stumbles upon a monstrous conspiracy in a seemingly idyllic Southern California seaside town. KABOOM shares key touchstones of Araki’s early films, including scatological and absurd Valley-inflected dialogue, elements of campy gore and Araki’s troupe of arrestingly sexy guys and girls. With his sophisticated synthesis of various experiments in tone and cinematography, Araki has reached a new level of artistic maturity.

The week Sam Nussbaum is to be married, his fiancé questions why his only brother, Tom, isn't coming to the wedding. Unsatisfied with his lame reply, she surprises Sam by bringing the brothers together. Sam is not happy, but he rarely is - unless he's telling someone what to do. When it's revealed that Tom has only been in love once - with his fifth grade girlfriend - Sam insists they go find her. It soon becomes evident that their journey is simply an excuse for Sam to avoid his impending commitment.

On the verge of getting married, Sam Nussbaum insists he escort his younger brother, Tom, on a wild goose chase of a journey to find Tom's fifth grade girlfriend.

On the verge of getting married, Sam Nussbaum insists he escort his younger brother, Tom, on a wild goose chase of a journey to find Tom's fifth grade girlfriend.

The week Sam Nussbaum is to be married, his fiance questions why his only brother, Tom, isn't coming to the wedding. Unsatisfied with his lame reply, she surprises Sam by bringing the brothers together. Sam is not happy, but he rarely is - unless he's telling someone what to do. When it's revealed that Tom has only been in love once - with his fifth grade girlfriend - Sam insists they go find her. It soon becomes evident that their journey is simply an excuse for Sam to avoid his impending commitment.