John Witherspoon

LiTTLEMAN -- When a stolen diamond is stashed in the home of a wannabe father and his workaholic wife, a pint sized jewel thief poses as the world's ugliest baby to get it back.

Soul Plane -- After winning a huge settlement from an airline, Nashawn Wade creates the full-service airline of his dreams, complete with sexy stewardesses, funky music, a hot on-board dance club, and a bathroom attendant.

Phil Keoghan, the host of "The Amazing Race," left Los Angeles on his bike headed for New York, with his wingman Ben, best friend Scott, Greg a former California Highway Patrolman, and his dad. He wanted to really test his 41-year old mind and body like never before.

A man anxious to become a father mistakes a short-statured, baby-faced criminal on the run for his newly adopted son.

When a stolen diamond is stashed in the home of a wannabe father and his workaholic wife, a pint sized jewel thief poses as the world's ugliest baby to get it back.

Calvin Simms is a master criminal and a dwarf, who with the help of his sidekick, Percy, steals a diamond from a museum. Nearly caught by the police, he stashes it in a bag of a stranger. Eager to recover the diamond he goes undercover as a toddler.

After winning a huge settlement from an airline, Nashawn Wade creates the full-service airline of his dreams, complete with sexy stewardesses, funky music, a hot on-board dance club, and a bathroom attendant.

After winning a huge settlement from an airline, Nashawn Wade creates the full-service airline of his dreams, complete with sexy stewardesses, funky music, a hot on-board dance club, and a bathroom attendant.

Why just fly when you can soar with soul! After a humiliating experience on an airplane, Nashawn Wade sues the airline and is awarded a huge settlement. Determined to make good with the money, he creates the full-service airline of his dreams, complete with sexy stewardesses, funky music, a hot onboard dance club, and a bathroom attendant. Departing from all-new Terminal X in Los Angeles, Soul Plane gives "fly" a whole new meaning, taking its passengers on a hilarious maiden voyage.

Stand up comedian Terry played by Martin Lawrence ("Bad Boys II," "Big Mommas House") is a local funny man who is in trouble. He can't pay his $67 phone bill. He drives a car that has only one gear, reverse. He is struggling trying to make it at a local comedy club called Dukie's. He is messing around with the owner's wife in an attempt to get more attention at the club. It turns out that the owner, Dukie played by John Witherspoon ("Friday," "Next Friday"), is trying to hook up with the star attraction of his club, Aretha. Aretha is a self-important diva, the kind of empowered, uplifted black woman who feels secure in her abilities and possibilities and she has a huge boyfriend who promises to hurt anybody he catches laughing at his love. What follows is a night of comedy, romance, comedy, action, comedy, and Terry trying to get the $67.

Eddie Murphy's got the bite in this movie mix of bone-chilling horror and chill-out comedy directed by Wes Craven (A Nightmare on Elm Street). As the vampire Maximillian, the popular star is the most diabolical, dashing and definitely undead dude in the 'hood. To add to the macabre fun, Murphy morphs into two other must-see characters: a paunchy preacher and a fast talking thug. Angela Basset (Waiting to Exhale, What's Love Got To Do With It) plays the cop whose world is rocked by Maximillian's attempts to make her his mate for eternity. And Kadeem Hardison (TV's A Different World) is the haplessly decaying vampire's sidekick who (a hand here, and ear there) is forever losing things. Brooklyn may be home to the undead now that Max is around-but means it's livelier than ever!

This film takes a satirical look at the ambivalent relationship between Hollywood power brokers and African-American performers. The filmmaker also stars as Bobby Taylor, a struggling actor looking for his big break in the entertainment industry. While working a day job flipping burgers, Bobby heads out to insulting casting calls where white casting agents pass judgement on whether he seems "black enough." When Bobby actually does earn a big role, he is forced to choose between accepting work that opens doors, but ultimately demeans him and returning to obscurity with his principles intact.