SPLENDOR IN THE GRASS Natalie Wood and Warren Beatty are young lovers ripped apart by the repressive small-town mentality of 1920's Kansas. SEX AND THE SINGLE GIRL Helen Gurley Brown?s book shoved aside, title used to exploit fairly amusing tale of smut-magazine editor, Tony Curtis wooing notorious female psychologist, Natalie Wood. INSIDE DAISY CLOVER Daisy Clover is a 15 year old Tomboy who dreams of being a Hollywood star - and succeeds! After becoming the toast of Hollywood, Daisy must then come to terms with her new found fame and the 1930's Hollywood star treatment. GYPSY (Deluxe Edition) Everything comes up roses when you let Rosalind Russell, Natalie Wood and Karl Malden entertain you in the lavish movie musical of the Broadway hit about Gypsy Rose Lee and her formidable mother. BOMBERS B-52 A love story between army pilot Efrem Zimbalist, Jr. and Natalie Wood, despite the objections of Ms. Wood?s sergeant father. Riveting aerial footage of jet plane maneuvers. CASH MCCALL James Garner is a capitalist in the grip of merger mania, and Natalie Wood is the woman he wants and the daughter of the man whose company he seeks to acquire.
Lit teacher (Martine Bartlett) calls upon Wilma-Dean (Natalie Wood), seated behind Juanita (Jan Norris) who's just taken up with her boyfriend, to read a poem, in Splendor In The Grass, 1961, from William Inge's original screenplay.
Vincente Minnelli uses his own The Bad And The Beautiful, with Lana Turner and Kirk Douglas, here playing Jack, in a screening room with director Kruger (Edward G. Robinson), Davie (George Hamilton) exploding, Veronica (Dahlia Lavi) left behind, in Two Weeks In Another Town, 1962.
Quick descent into weirdness as 1920's Kansas teens Wilma-Dean (Natalie Wood) and Bud (Warren Beatty) arrive home then have to dodge her mother, in Elia Kazan's Splendor In The Grass, 1961, from William Inge's screenplay.
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Warren Beatty, in an auspicious debut, and Natalie Wood are teens in love, torn apart by family, sexual and peer pressures.
In 1952, star Kirk Douglas, director Vincente Minnelli, producer John Houseman and screenwriter Charles Schnee teamed for what manyconsider the greatest drama ever made about Hollywood: The Bad and the Beautiful. Ten years later, they took another powerfulinsider's look at the movie business, this time adapting a book by Irwin Shaw. Douglas portrays has-been screen idol Jack Andrus.Just out of a sanitarium, Jack grabs at a small role in a movie shot in Rome by a director (Edward G. Robinson) whose career is alsoon the skids. When the director falls ill, Jack takes over, realizing this is his last shot at personal and professional redemption.Trenchant, confrontational, intensified by Minnelli's genius for color, Two Weeks in Another Town captures the passion of creativepeople facing the abyss.
Screen idol Jack Andrus just out of a sanitarium grabs at a role in a movie shot in Rome by a director whose career is also on the skids. When the director falls ill, Jack takes over.
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