Pablo Schreiber's Orange Is the New Black character has the sadism of Joffrey Baratheon and the mustache of Tom Selleck, an unlikely combination which somehow turned Pornstache into a runaway success. We talked to Schreiber about the surprising reaction to his character, what's in store for Season 2 and whether his real-life facial hair is up to snuff.
Bad news, Alex Vause fans. Despite Netflix's (soft) denials that Buzzfeed's report about Laura Prepon's impending departure from Orange Is the New Black are "inaccurate," a source close to the show confirms to TVGuide.com that her character's story line is indeed set to wrap up early in Season 2.
According to the insider, Prepon hasn't been on set since production began on the second season weeks ago, and when she does return, it won't be for long.
What's it like to play the villain on the most talked-about show of the summer? Orange Is the New Black star Laura Prepon wouldn't know — because she doesn't see her character, Alex Vause, in that light.
"When the show first starts, you think that ... Alex is this evil person," Prepon admits. "And then as the show progresses .... you start to see that Alex — at the end of the day, yes, she's a drug dealer — but you see that she's a vulnerable person and she has really intense feelings and love for [Piper]."
There's something really special happening in television right now. Jenji Kohan'sOrange Is the New Black not only features a nearly all-female cast depicting a diverse spectrum of race, sexuality and body types, but it also includes a trans woman of color actually playing a trans woman of color — a first on mainstream television.
Former reality star and producer Laverne Cox plays Sophia Burset, a firefighter whose wife Crystal is less disturbed by her transition than her decision to steal credit cards.
Remakes (House of Cards) and reboots (Arrested Development) are one way to go when establishing a brand — let's just forget about the atrocious Hemlock Grove for now — but with Orange Is the New Black, Netflix finally achieves its eureka moment with a terrifically entertaining piece of original programming that's truly and bracingly original.
The setting, an upstate New York women's prison, isn't all that new, but Orange — adapted by Weeds' Jenji Kohan from a memoir by Piper Kerman — makes it fresh by mining a deep vein of absurdist humor with an unexpectedly generous empathy for the outrageous characters its overwhelmed heroine encounters in her nightmare odyssey behind bars. When anxious Piper Chapman (a wryly understated and immediately sympathetic Taylor Schilling) is being processed to start her 15-month sentence, she's assured this isn't OZ — and it also isn't Chained (or Caged) Heat. This show is much cooler than that.