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Question: I know that last week was packed with season finales, talk of cancellations, and predictions of the successes for next fall, but I hope The Good Wife might get some attention. I'm in no way a TV expert, but the gestalt of the last scene was surprising. From the editing to the acting to the music (so out of place for the show, but somehow appropriate at the same time), those few minutes just felt like what great TV is. In particular, the editing of the elevator ride made me feel as though I was watching a cabler. While on the page the plot was perhaps mundane or even cliché, the execution was impressive. — Erin
Human Target's Ilsa Pucci, the sharp-tongued billionaire and not-so-silent partner in Christopher Chance's personal-security agency. "I think anyone with money wants to know how their money is spent," says Varma. "I mean, look at producers!"
Cheers to Human Target for hitting the proverbial bull's-eye.
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Fox's sophomore sleeper may seem like a mindless action show on the surface, but dig a little deeper and you'll find one of network TV's best-written, produced and acted dramas. The ensemble, led by ...
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Nice save, Fox. Before the season started, it looked as if the network was hanging the appealing high-action sleeper Human Target out to dry on Fridays, where it was originally scheduled. But the early cancellation of Lone Star and a schedule shuffle opened up a slot on the show's former night (Wednesday) from last midseason. And all of a sudden we now have an hour of exhilarating midweek escapism to enjoy, reminding us how good a show like this can be (as opposed to the fizzle and fast fade of NBC's Undercovers in the same time period)...