Isabel Jewell

Man in the Attic -- In 1888 the people of London are terrified by a series of murders on the fog-shrouded streets, with the only connection being that all the victims were women and showgirls. Around this time, mild-mannered and secretive pathologist Mr. Slade (Palance) rents an attic apartment in the heart of London. Mr. Slade falls in love with dancer Lily Bonnery (Smith), who does not return his affections. As the police search frantically for 'Jack the Ripper,' Mr. Slade comes under suspicion for the murders.

High Sierra -- Humphry Bogart plays Roy 'Mad Dog' Earle, an escaped convict who is on the run. With police and the press on his trail, Earle takes refugee among the peaks of the Sierra Madres.

Mystery about a powerful attorney who doesn't realize his wife has gotten herself into some trouble. Later remade as Stronger Than Desire.

When a leopard escapes during a publicity stunt, it triggers a series of murders.

Production of CIAO! MANHATTAN began on Easter Sunday in 1967, as a project of Factory regulars John Palmer, David Weisman, Genevieve Charbin, Chuck Wein, Bob Margouleff, Gino Piserchio, with supplemental roles and tasks fulfilled by various other hangers-on. The film originally followed the excessively hip lives of Midtown scenesters Sedgwick and fellow Warhol Superstar Paul America, as they lived life in the fast lane (literally speeding down the West Side Highway on massive amounts of amphetamine). The project was riddled with budget problems and an unfinished, nonsensical script of debauchery, drug use and paranoia. Unreliable actors and rampant drug abuse behind the camera whirled shooting out of control as both Sedgwick and America went missing, putting production on hold. With barely any direction and no end in sight, the film's backers, Bob Margouleff's parents, lost faith in their son's project, and Palmer and Weisman were left with the fragments of a beautifully shot but unpresentable film. To salvage these fragments, Palmer and Weisman decided to reform the script to include the previously shot footage as flashback sequences to tell Sedgwick's tragic story through the personae of Susan Superstar.

Originally only superficially a chronicle of Edie Sedgwick's days at Andy Warhol's Factory, Ciao! Manhattan has become one of the most insightful looks at New York's "Silver Sixties" period and the horrible fallout that followed.

CIAO! MANHATTAN parallels Andy Warhol Factory star Edie Sedgwick's glory days in the late 60's through her inevitable downfall and the tragic addiction that would take her life only weeks after filming wrapped in 1971.

CIAO! MANHATTAN parallels Andy Warhol Factory star Edie Sedgwick's glory days in the late 60's through her inevitable downfall and the tragic addiction that would take her life only weeks after filming wrapped in 1971.

On the night of the third Jack the Ripper killing, soft-spoken Mr. Slade, a research pathologist, takes lodgings with the Harleys, including a gloomy attic room for "experiments." Mrs. Harley finds Slade odd and increasingly suspects the worst; her niece Lily (star of a decidedly Parisian stage revue) finds him interesting and increasingly attractive. Is Lily in danger, or are her mother's suspicions merely a red herring?

A murderer marries a young innocent woman and then goes after her more experienced sister in this suspenseful mystery.

Randolph Scott stars as straight-shooting Sheriff Mark Rowley, who's searching for his missing brother and takes on a band of outlaws invading the Oklahoma panhandle. He acquires the help of a newspaperwoman, played by Ann Richards. Gabby Hayes does a wonderful job as the Coyote Kid in this enjoyable western.

When a leopard escapes during a publicity stunt, it triggers a series of murders.