Hope Davis

The Family Tree -- STILL IN THEATRES When a bizarre accident leaves desperate housewife Bunnie with a case of amnesia, her family gets an unexpected second chance at happiness.

Synecdoche, New York -- From the writer of Adaptation, Being John Malkovich and Eternal Sunshine of the Spotless Mind. Theater director Caden Cotard (Philip Seymour Hoffman) is mounting a new play. His life catering to suburban blue-hairs at the local regional theater in Schenectady, New York is looking bleak. His wife Adele (Catherine Keener) has left him to pursue her painting in Berlin, taking their young daught...

Amnesia gives a stressed-out suburban wife and mother a chance to start over with her dysfunctional family in this quirky comedy.

Finnish director Vivi Friedman makes her feature-film debut with this dark comedy about wife and mother Bunnie Burnett, who loses her memory and conveniently forgets all of her problems -- including her interracial affair with a neighbor.

When a bizarre accident leaves desperate housewife Bunnie with a case of amnesia, her dysfunctional family gets an unexpected second chance at happiness.

When a bizarre accident leaves desperate housewife Bunnie with a case of amnesia, her dysfunctional family gets an unexpected second chance at happiness.

A troubled actor, a television show runner, and an acclaimed videogame designer find their lives intertwining in mysterious and unsettling ways.

From the writer of Adaptation, Being John Malkovich and Eternal Sunshine of the Spotless Mind. Theater director Caden Cotard (Philip Seymour Hoffman) is mounting a new play. His life catering to suburban blue-hairs at the local regional theater in Schenectady, New York is looking bleak. His wife Adele (Catherine Keener) has left him to pursue her painting in Berlin, taking their young daught...

From Charlie Kaufman, comes a visual and philosophic adventure, "Synecdoche, New York." As he did with his groundbreaking scripts for "Being John Malkovich", "Adaptation", and "Eternal Sunshine of the Spotless Mind", Kaufman twists and subverts form and language as he delves into the mind of a man who, obsessed with his own mortality, sets out to construct a massive artistic enterprise that could give some meaning to his life. Theater director Caden Cotard (Philip Seymour Hoffman) is mounting a new play. His life catering to suburban blue-hairs at the local regional theater in Schenectady, New York is looking bleak. His wife Adele (Catherine Keener) has left him to pursue her painting in Berlin, taking their young daughter Olive with her. His therapist, Madeleine Gravis (Hope Davis), is better at plugging her best-seller than she is at counseling him. A new relationship with the alluringly candid Hazel (Samantha Morton) has prematurely run aground. And a mysterious condition is systematically shutting down each of his autonomic functions, one by one. Worried about the transience of his life, he leaves his home behind. He gathers an ensemble cast into a warehouse in New York City, hoping to create a work of brutal honesty. He directs them in a celebration of the mundane, instructing each to live out their constructed lives in a growing mock-up of the city outside. The years rapidly fold into each other, and Caden buries himself deeper into his masterpiece, but the textured tangle of real and theatrical relationships blurs the line between the world of the play and that of Caden's own deteriorating reality.

From the writer of ADAPTATION, BEING JOHN MALKOVICH and ETERNAL SUNSHINE OF THE SPOTLESS MIND. Theater director Caden Cotard (Philip Seymour Hoffman) is mounting a new play. His life catering to suburban blue-hairs at the local regional theater in Schenectady, New York is looking bleak. His wife Adele (Catherine Keener) has left him to pursue her painting in Berlin, taking their young daughter Olive with her. Worried about the transience of his life, he leaves his home behind. He gathers an ensemble cast into a warehouse in New York City, hoping to create a work of brutal honesty. He directs them in a celebration of the mundane, instructing each to live out their constructed lives in a growing mockup of the city outside. The years rapidly fold into each other, and Caden buries himself deeper into his masterpiece, but the textured tangle of real and theatrical relationships blurs the line between the world of the play and that of Caden's own deteriorating reality.

In 1971, author Clifford Irving is feeling cheated when his latest manuscript, which looked sure to be published by McGraw-Hill, is ultimately rejected. After that rejection, his primary contact at the publishing house, Andrea Tate, seems ready to place him on her do not call list. As such, Clifford tells her that he is working on the most important book of the twentieth century, which in reality is a total fabrication, as is his ultimate idea for the book: that he has been asked by billionaire recluse Howard Hughes to write his autobiography. Clifford, who has never met Hughes and has never been contacted by Hughes, is banking on past history of Hughes not coming out in public to decry Clifford's book as being a fake, as is the situation with a current case involving TWA which could cost Hughes monetarily if the case goes against him and which Hughes has not come out publicly to defend. If Clifford's assertions of the book are indeed true, Andrea and her colleagues at McGraw-Hill are highly interested. Along for the ride with Clifford are his long time friend and researcher, Dick Suskind, who likes the idea when it seems to be working, but seems ready to fold under the pressure whenever they are close to being caught; and Clifford's artist wife, Edith Irving, who takes on the pseudonym Helga R. Hughes to be able to cash the checks made out to H.R. Hughes. Clifford and Dick luck into personal information about Hughes which would assist in writing an accurate autobiography. They also mysteriously come into possession of some information which if included in the book would entirely change its focus but have the potential for far reaching political consequences. But Clifford's personal life, which includes an affair with actress Nina Van Pallandt, and his own grip on what is true and isn't may ultimately be his downfall.

Ryan Reynolds, Melissa McCarthy and Hope Davis appear in multiple roles in writer-director John August's independent thriller, which combines three intertwining stories that creatively converge in unexpected ways. A popular TV actor is under house arrest in "The Prisoner"; a TV producer struggles to launch a new series in "Reality Television"; and a video-game designer seeks help for his stranded family in "Knowing."