Hal K. Dawson

The Last Hurrah -- Spencer Tracy portrays a down-to-earth big city mayor ruthlessly thwarted by political enemies.

Country Girl -- Katie Carmen dreams of being a country singer. Her punk rock brother thinks otherwise. She must go on a journey of self-discovery to find her voice. Along the way, she finds a guitar player, a music teacher, and something worth singing about. Original music and lyrics by lead actress Jozi Bently.

The Last Hurrah is a comedy filmed in a single continuous shot. Set at a graduation party in Los Angeles, an eclectic group of brainy philosophy students, train-hopping hippies, aspiring prophets and drug-addled hipsters come together for one wild night. At the eye of the storm are three best friends, all with the same problem - women. Jason can't get enough of them, Steve can't let go of the one he's got and Will can't understand them at all. The brainy grad students will have to work through their issues fast, because tonight's house party is their last crack at the women of the philosophy department. In the spirit of Richard Linklater and Woody Allen, The Last Hurrah is a smart, witty, ensemble-driven comedy that wonders if the over examined life is really worth living.

Film greats Kirk Douglas ("Spartacus") and Susan Hayward ("Valley of the Dolls") star in this comedy about a fiery news publisher who knows all about the past of a military diplomat. But instead of discrediting him, she ends up falling in love. Co-starring Jim Backus ("Gilligan's Island").

Award-winning dancers Fred Astaire ("Top Hat," "Easter Parade") and Ginger Rogers ("Top Hat," "Stage Door") star in the true story of the ballroom dancing team who rose to international acclaim at the turn of the century. Fun-filled musical featuring outstanding Rogers and Astaire song and dance numbers.

Randolph Scott stars as Marshal Coleen Wave, a lawman who moves from town to town in the Colorado Territory, ridding each of its outlaws. His dedication to his gob causes his wife, played by Angela Lansbury (TV's "Murder She Wrote"), to leave him. She will not come back to him until he has hung up his guns for good. But he is determined to clean up one last town, run by bandits, who don't want to see the territory become a state.

Henry Fonda and Anthony Perkins headline "The Tin Star," a tough-minded, character-driven western nominated for an Oscar for its story and screenplay. Perkins plays Ben Owens, a greenhorn sheriff who hasn't worn his badge long... and won't live to wear it much longer unless he gets some savvy help. Fonda, bringing to his role the presence and plain speaking that made him an icon of the cinematic West, plays wily bounty hunter Morg Hickman. "A decent man doesn't want to kill," Morg counsels Ben. "But if you're going to shoot, shoot to kill." Morg backs up his words with action. And when the time comes, so will Ben.

An eccentric New York theater owner has his eye on the beautiful chorus girl Sheila Winthrop (Rita Hayworth). His wife has her eye on him. Sheila has her eye on the show's choreographer Robert Curtis(Fred Astaire). Having been discovered, the boss throws Robert into the middle of a comedic cover-up that eventually forces Robert to flee into the Army. Robert will never get rich as a private, but at least he's out of his predicament - or is he? When Rita Hayworth was paired to star opposite FredAstaire in the musical comedy "You'll Never Get Rich," the press speculated that the two might be mismatched. Then Columbia Pictures head Harry Cohen insisted on the pairing, and correctly so. All skeptics were silenced as Hayworth more than proved her dancing abilities, establishing her as one of the best partners Astaire ever had - Ginger Rodgers notwithstanding. She quite literally became Columbia's hottest property of the '40s with LIFE magazine quickly dubbing her the "Love Goddess" of Hollywood. The film's many accolades include Academy Award nominations for Best Scoring of a Musical Picture and the featured hit song "Since I Kissed My Baby Goodbye" by Cole Porter.

Arliss places a "lonely hearts" ad in a single paper. Jasmine makes the call. They agree to meet at the Asylum Café. That's when the trouble begins! Arliss is expecting the slender, virginal beauty described to him on the phone. When the quirky woman in black, who has been mocking his antiquated male fantasies, turns out to be Jasmine, Arliss bolts. Jasmine chases after him and begs him to stay. When he blows her off, and she pulls a gun! As Arliss' anger turns to attraction, they both find out you don't always get what you expect when you look for love in all the wrong places.

When Midwesterner Pete Hammond Jr. (Tony Curtis) moves to New York to become a jazz musician, he discovers that the big city is treacherous, although his tentative friendship with forlorn taxi dancer Peggy Brown (Debbie Reynolds) encourages him to persevere despite the obstacles. Peggy, who's being pressured by her boss (Don Rickles) to become a prostitute, is so buoyed by Pete's optimism that she takes a big risk to help him achieve his dreams.

An eclectic group of brainy philosophy students, train-hopping hippies, aspiring prophets and drug-addled hipsters come together for one wild night. At the eye of the storm are three best friends, all with the same problem -- women.

Spencer Tracy portrays a down-to-earth big city mayor ruthlessly thwarted by political enemies.