Gregg Barton

Too Late for Tears -- YouTube - Full movie (Flash)

Too Late for Tears -- Scott turns in one of the best 'femme fatale' performances of all time as she portrays a scheming woman who eliminates everyone in her way as she tries to make off with 60-grand in blackmail money. An excellent script, top production values and great performances make this one of the very best 'film noir' titles we offer. Newly transferred from a great original 16mm print.

The central performances of Fred MacMurray as a U.S. Marshal and Robert Vaughn as a psychopathic killer make this an unusual and absorbing Western. MacMurray must prove his charismatic young captive guilty of murder against much opposition.

An intensely satisfying drama of rugged primitive justice, "The Man from Laramie" marked the final, and finest, collaboration of one of the most important teams in Western films: director Anthony Mann and star Jimmy Stewart. Together this perfectly-matched pair provided audiences with eight classic pictures, including "Winchester '73" and "Strategic Air Command." Under Mann's superb direction, Stewart departs from his well-loved "ordinary hero" role and gives a riveting performance as a resolute vigilante obsessed with finding the man responsible for his brother's death. Among the suspects are an arrogant cattle baron (Donald Crisp), his sadistic son (Alex Nicol) and his ranch foreman (Arthur Kennedy, in the best performance of his career). One explosive confrontation, in which Stewart is dragged by a wild horse and shot in the hand at close range, is one of movie history's most memorable sequences. Among the first Westerns filmed in CinemaScope, "The Man from Laramie" uses the widescreen technology to emphasize the scope and power of this harrowing action-drama, making it a perfect example of the Western as America's epic art form.

"This is raw country... gun country," grumbles ornery freight magnate Beau Santee (Frank Wilcox). And sure enough, the irons start blazin' when lawman-on-the-lam Dan Beattie (George Montgomery) ambles into the sleepy town of Sundown. Beattie's looking for war buddy Curt Warren (House Peters, Jr.) - but finds only a beaten, broken man who's terrified of big boss Beau. No stranger to danger, Beattie poses as a reviled railroad agent ("You might as well paint a target on your back," the sheriff quips.) and dallies with Warren's dame to dig up the dirt on Santee. In no time, the two Civil War comrades are face to face on Main Street - but Sundown's big showdown sparks an even bigger shootout. This taut, exciting Western shows that even God's Country has a dark side.

The new sheriff arrests a dead lawman's killer - a young man he helped raise - but after a cagey lawyer goes to work, he finds he's the only one convinced the defendant is really guilty.

The central performances of Fred MacMurray as a U.S. Marshal and Robert Vaughn as a psychopathic killer make this an unusual and absorbing Western. MacMurray must prove his charismatic young captive guilty of murder against much opposition.

Six men think they saw Eddie 'The Kid' Campbell shoot down Marshal Cain in cold blood. But only respected lawman Ben Cutler will swear to it in court. But is it because Campbell was a murderer or because Cutler's daughter is Campbell's sweetheart?

James Stewart stars as a vigilante obsessed with avenging his brother's death in this intense action-drama.

An intensely satisfying drama of rugged primitive justice, THE MAN FROM LARAMIE marked the final, and finest, collaboration of one of the most important teams in Western films: director Anthony Mann and star Jimmy Stewart. Together this perfectly-matched pair provided audiences with eight classic pictures, including Winchester '73 and Stategic Air Command. Under Mann's superb direction, Stewart departs from his well-loved "ordinary hero" role and gives a riveting performance as a resolute vigilante obsessed with finding the man responsible for his brother's death. Among the suspects are an arrogant cattle baron, his sadistic son and his ranch foreman. One explosive confrontation, in which Stewart is dragged by a wild horse and shot in the hand at close range, is one of movie history's most memorable sequences. Among the first Westerns filmed in CinemaScope, THE MAN FROM LARAMIE uses the widescreen technology to emphasize the scope and power of this harrowing action-drama, making it a perfect example of the Western as America's epic art form.

With shoot-'em-ups galore, a clean-cut hero, dust-beaten horse soldiers and fearless warriors, The Command - Warner Bros.' first CinemaScope release - is a galloping entertainment success. Guy Madison portrays 7th cavalry doctor Capt. Robert MacClaw, unexpectedly handed the reins of his battered troop's command. Unfamiliar with by-the-book military tactics, MacClaw nevertheless knows how to take charge. He keeps the book closed and his mind open as he leads his men and a settlers' wagon train on a desperate journey besieged by waves of Indian attacks. Multiple Oscar winner* Dimitri Tiomkin provides the lively score pacing the thunderous action. And plenty of hoofs provide the thunder: the movie's wrangler estimated the project required 41,882 horse-hours (number of horses times number of hours used). That ain't hay!

The Command. When an army doctor takes command of a decimated cavalry unit under attack by Indians, the healer must learn how to kill, in this compelling Western co-written by Samuel Fuller.