Grant Kramer

Jack Hart is a forensic photographer, plagued by heart-stopping nightmares and an intensely jealous girlfriend. He gets lured into a bizarre love triangle when he meets an exotic model who turns out to be the girl of his dreams.

Jack Hart is a forensic photographer, plagued by heart-stopping nightmares and an intensely jealous girlfriend. He gets lured into a bizarre love triangle when he meets an exotic model who turns out to be the girl of his dreams.

Both uproariously funny and unerringly cautionary, Broomfield's behind-the-scenes document of the making of a musical becomes a ceremonious unmaking-of as egos, budgets and general calamity conspire to ruin the best efforts of all involved in the New York rehearsals for an extravagant, glitzy production. As Broomfield recounts it,"(This was) the first film I ever appeared in. I was so desperate in this out-of-control situation that it was the only way I could think of telling the story."

Love fades, but murder is forever. Eric Roberts and Kelly Preston burn up the screen in this sexy murder mystery that's laced with excitement. Jack Hart (Roberts) is a forensic photographer with a habit of rubbing all the right people the wrong way. Plagued by heart-stopping nightmares and an intensely jealous girlfriend, he is lured into a bizarre love triangle when he meets an exotic model (Preston) who turns out to be the girl of his dreams. Seduced into believing they've had a relationship before, Jack is plunged into his own nightmare as time stops, the past becomes the present and love turns deadly.

Jack Hart finally has his life in order. He has a new job as a police crime scene photographer and the love of a wonderful woman, Isabel. If he could only get her to stop pressuring him into marriage, life would be perfect. When Jack finds the photo of Jean, a beautiful model, in his locker, he's dazzled by her beauty. When he meets her, he believes he's found the woman of his dreams. Then Jack's world begins to close in on him with frightening nightmares. When he's pulled into a web of passion and deception, Isabel throws him out. Then he realises that Jack has been lying to him from the day they met. When she's found murdered, Jack's life comes to a halt. He's the only suspect. With his gun to his head, Jack decides to end the nightmare.

Jack Hart finally has his life in order. He has a new job as a police crime scene photographer and the love of a wonderful woman, Isabel. If he could only get her to stop pressuring him into marriage, life would be perfect. When Jack finds the photo of Jean, a beautiful model, in his locker, he's dazzled by her beauty. When he meets her, he believes he's found the woman of his dreams. Then Jack's world begins to close in on him with frightening nightmares. When he's pulled into a web of passion and deception, Isabel throws him out. Then he realises that Jack has been lying to him from the day they met. When she's found murdered, Jack's life comes to a halt. He's the only suspect. With his gun to his head, Jack decides to end the nightmare.

Love Is a Gun -- Jack Hart finally has his life in order. He has a new job as a police crime scene photographer and the love of a wonderful woman, Isabel. If he could only get her to stop pressuring him into marriage, life would be perfect. When Jack finds the photo of Jean, a beautiful model, in his locker, he's dazzled by her beauty. When he meets her, he believes he's found the woman of his dreams. Then Jack's world begins to close in on him with frightening nightmares. When he's pulled into a web of passion and deception, Isabel throws him out. Then he realises that Jack has been lying to him from the day they met. When she's found murdered, Jack's life comes to a halt. He's the only suspect. With his gun to his head, Jack decides to end the nightmare.

Love fades, but murder is forever. Eric Roberts and Kelly Preston burn up the screen in this sexy murder mystery that's laced with excitement. Jack Hart (Roberts) is a forensic photographer with a habit of rubbing all the right people the wrong way. Plagued by heart-stopping nightmares and an intensely jealous girlfriend, he is lured into a bizarre love triangle when he meets an exotic model (Preston) who turns out to be the girl of his dreams. Seduced into believing they've had a relationship before, Jack is plunged into his own nightmare as time stops, the past becomes the present and love turns deadly.

Scrappy inventor Gunther (Thomas Gottschalk) drives his tiny East German Trabant 601 to a Los Angeles convention, where he hopes to get backing for his revolutionary turnip-juice fuel. But the car is soon stolen by corporate spies. Now Gunther must navigate the unfamiliar terrain of L.A. in his quest to get his Trabi back. Fortunately, Billy Dee Williams, Milton Berle and other celebrities help out along the way in this sequel to Go, Trabi, Go.

Both uproaringly funny and unerringly cautionary, Broomfield's behind-the-scenes document of the making of a musical becomes a ceremonious unmaking-of as egos, budgets and general calamity conspire to ruin the best efforts of all involved in the New York rehearsals for an extravangant, glitzy production.

Both uproaringly funny and unerringly cautionary, Broomfield's behind-the-scenes document of the making of a musical becomes a ceremonious unmaking-of as egos, budgets and general calamity conspire to ruin the best efforts of all involved in the New York rehearsals for an extravangant, glitzy production.

Broomfield’s behind-the-scenes document of the making of a musical becomes a ceremonious unmaking-of as egos, budgets and general calamity conspire to ruin the best efforts of all involved in the New York rehearsals for an extravagant, glitzy production.