Gila Golan

Our Man Flint -- A secret agent is called in to track down an evil cartel bent on controlling the planet by controlling its weather.

Passengers on a ship traveling from Mexico to Europe in the 1930's represent society at large in that era.

Our Man Flint takes the tongue-in-cheek wit of the James Bond series and shifts it into high gear. Flint is an ultra-sophisticated operative of international intelligence agency Z.O.W.I.E. He's a master of martial arts, electronic gadgetry (his cigarette lighter can perform 83 special functions), languages both human and animal (he can communicate with dolphins in a pinch), and even gives ballet lessons to the dancers of the Bolshoi. So when his fellow agents begin dropping like flies, Z.O.W.I.E assigns Flint the task of finding out who the killers happen to be. Eventually, Flint discovers that the killings are all part of the wicked machinations of G.A.L.A.X.Y., a cadre of world-wide villainy that plans to take over the world through weather control.

The discovery of a midget horse, thought to be fifty million years old, prompts members of a Wild West show to venture into Mexico's Forbidden Valley in search of fame and untold wealth.

A secret agent is called in to track down an evil cartel bent on controlling the planet by controlling its weather.

A secret agent is called in to track down an evil cartel bent on controlling the planet by controlling its weather.

OUR MAN FLINT takes the tongue-in-cheek wit of the James Bond series and shifts it into high gear. Flint is an ultra sophisticated operative of international intelligence agency Z.O.W.I.E. He's a master of martial arts, electronic gadgetry (his cigarette lighter can perform 83 special functions), languages both human and animal (he can communicate with dolphins in a pinch), and even gives ballet lessons to the dancers of the Bolshoi. So when his fellow agents begin dropping like flies, Z.O.W.I.E. assigns Flint the task of finding out who the killers happen to be. Eventually, Flint discovers that the killings are all part of the wicked machinations of G.A.L.A.X.Y., a cadre of world-wide villainy that plans to take over the world through weather control.

As he's observing other voyagers aboard a German passenger freighter bound for Bremerhaven in 1933, a puckish dwarf named Glocken (Michael Dunn) warns that it is "a ship of fools," whose passengers are all deeply involved with one folly or another. As Virginia divorcee Mary Treadwell (Vivien Leigh) vainly flees middle age, the drug-dependent Spanish noblewoman, La Condesa (Simone Signoret) and the ship's doctor, Schumann (Oskar Werner) are falling in love. Unmarried young Americans Jenny and David (Elizabeth Ashley and George Segal) risk staying in separate cabins to see if they have a life beyond sex, while the Jewish Lowenthal (Heinz Ruehmann) is returning to Germany, a country which he still strongly believes in despite "extremists" like his cabin-mate, Rieber (Jose Ferrer), an anti-Semitic publisher. With a wife at home, Rieber is carrying on a shipboard romance with the Brunhildean Lizzi Spockenkieker (Barbara Luna). A baseball player who's past his prime, Bill Denny (Lee Marvin) is pursuing one of the Spanish dancers, while Elsa (Olga Fabian), a young Swiss girl, awaits only a spark to incite her to rebellion against her puritanical parents. One by one, their problems unfold during the voyage. Yet, upon disembarking, each goes their own way, leaving the bemused Glocken behind.

As he's observing other voyagers aboard a German passenger freighter bound for Bremerhaven in 1933, a puckish dwarf named Glocken (Michael Dunn) warns that it is "a ship of fools," whose passengers are all deeply involved with one folly or another. As Virginia divorcee Mary Treadwell (Vivien Leigh) vainly flees middle age, the drug-dependent Spanish noblewoman, La Condesa (Simone Signoret) and the ship's doctor, Schumann (Oskar Werner) are falling in love. Unmarried young Americans Jenny and David (Elizabeth Ashley and George Segal) risk staying in separate cabins to see if they have a life beyond sex, while the Jewish Lowenthal (Heinz Ruehmann) is returning to Germany, a country which he still strongly believes in despite "extremists" like his cabin-mate, Rieber (Jose Ferrer), an anti-Semitic publisher. With a wife at home, Rieber is carrying on a shipboard romance with the Brunhildean Lizzi Spockenkieker (Barbara Luna). A baseball player who's past his prime, Bill Denny (Lee Marvin) is pursuing one of the Spanish dancers, while Elsa (Olga Fabian), a young Swiss girl, awaits only a spark to incite her to rebellion against her puritanical parents. One by one, their problems unfold during the voyage. Yet, upon disembarking, each goes their own way, leaving the bemused Glocken behind.

SHIP OF FOOLS is set on a German ocean liner, during the Nazi regime of the 1930's. In the high class section are several well-to-do people, while below deck are a horde of sugar field workers returning to Spain after a season of work in Cuba. The ship is a hot bed of disillusionment, prejudice and delusions of grandeur.

As he's observing other voyagers aboard a German passenger freighter bound for Bremerhaven in 1933, a puckish dwarf named Glocken (Michael Dunn) warns that it is 'a ship of fools,' whose passengers are all deeply involved with one folly or another. As Virginia divorcee Mary Treadwell (Vivien Leigh) vainly flees middle age, the drug-dependent Spanish noblewoman, La Condesa (Simone Signoret) and the ship's doctor, Schumann (Oskar Werner) are falling in love. Unmarried young Americans Jenny and David (Elizabeth Ashley and George Segal) risk staying in separate cabins to see if they have a life beyond sex, while the Jewish Lowenthal (Heinz Ruehmann) is returning to Germany, a country which he still strongly believes in despite 'extremists' like his cabin-mate, Rieber (Jose Ferrer), an anti-Semitic publisher. With a wife at home, Rieber is carrying on a shipboard romance with the Brunhildean Lizzi Spockenkieker (Barbara Luna). A baseball player who's past his prime, Bill Denny (Lee Marvin) is pursuing one of the Spanish dancers, while Elsa (Olga Fabian), a young Swiss girl, awaits only a spark to incite her to rebellion against her puritanical parents. One by one, their problems unfold during the voyage. Yet, upon disembarking, each goes their own way, leaving the bemused Glocken behind.