Search

When did directors start ...

Question: When did directors start getting credits like “Alfred Hitchcock’s Psycho," where their names are given as "owners" of their films?


Answer: That’s called a possessory credit, and popular belief is that it’s a product of the '50s, when directors began thinking of themselves as solo auteurs rather than parts of a collaborative team. This struck many other behind-the-scenes personnel, especially screenwriters, as a world-class case of too-big-for-their-britches syndrome. Otto Preminger lobbied hard for and got the especially lofty “A film by Otto Preminger” credit, which prompted a legendary exchange between director Billy Wilder and screenwriter I.A.L. Diamond. “That’s Otto Preminger’s house,” Wilder is supposed to have observed as they were driving, to which Diamond replied, “No, that’s ‘A House by Ot read full article

click to play
Season 6, Episode 1: George's funeral is too much for Izzie.
Free | Hulu
Length: 02:00
Posted: 11/4/2009
click to play
Season 6, Episode 1: The staff deals with George's death and Derek receives a job proposition.
Free | Hulu
Length: 02:00
Posted: 11/4/2009
Season 5, Episode 22: Izzie decides to undergo surgery. George joins the army to be a surgeon.
Free | Hulu
Length: 02:00
Posted: 11/4/2009
Sgt. Ballantine (Douglas Fairbanks, Jr.), Sgt. MacChesney (Victor McLaglen) and Sgt. Cutter...
Free | TCM

Posted: 8/1/2008
Loading...
Title Year Type
We Are One: The Obama Inaugural Celebration at the Lincoln Memorial (Executive Producer) 2009 TV Show Series
Christmas in Washington (Executive Producer) 2007 TV Show Series
Christmas in Washington (Executive Producer) 2007 TV Show Series
Imaginary Witness: Hollywood And The Holocaust (Actor) 2007 Movie
Kennedy Center Honors (Producer) 2007 TV Show Series

more George Stevens Jr. credits (23 total credits)

When did directors start ...

Question: When did directors start getting credits like “Alfred Hitchcock’s Psycho," where their names are given as "owners" of their films?


Answer: That’s called a possessory credit, and popular belief is that it’s a product of the '50s, when directors began thinking of themselves as solo auteurs rather than parts of a collaborative team. This struck many other behind-the-scenes personnel, especially screenwriters, as a world-class case of too-big-for-their-britches syndrome. Otto Preminger lobbied hard for and got the especially lofty “A film by Otto Preminger” credit, which prompted a legendary exchange between director Billy Wilder and screenwriter I.A.L. Diamond. “That’s Otto Preminger’s house,” Wilder is supposed to have observed as they were driving, to which Diamond replied, “No, that’s ‘A House by Ot read more

more George Stevens Jr. news (1 total news articles)
Advertisement

Advertisement