ESPN Video: The ESPN FC crew react to Jozy Altidore and Fernando Torres ending their goal droughts.
Strikers David Villa and Fernando Torres and substitute Juan Mata scored on Monday (June 23) to help give deposed champions Spain a comfortable consolation win after a miserable World Cup when they beat Australia 3-0.
Milan head coach Filippo Inzaghi was pleased with Fernando Torres display in their 2-2 Serie A draw with Empoli on Tuesday - the Spaniard scored his first goal for the club.
Chelsea laboured to a 1-1 draw against Sparta Prague in the Europa League on Thursday (February 21), and again manager Rafael Benitez was forced to defend out-of-form striker Fernando Torres as the Spaniard missed a string of chances. A late, late Eden Hazard stunner saved Chelsea the ignominy of a home defeat over 90 minutes and propelled them into the last 16 of the Europa League with a 2-1 aggregate win.
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KISS OF THE SPIDER WOMAN starts within the narrow walls of a Latin American prison cell. Molina (William Hurt) is telling his new cellmate, Valentin (Raul Julia), his favorite story. Molina is a delicate homosexual imprisoned for seducing a minor; Valentin is a bearded revolutionary still bleeding from his interrogation. As they trade stories, each draws a new, surprising level of difference between the two heroes: escapism versus realism, romance versus politics, gay versus straight, hero versus coward. Their unstable friendship grows more real, and their stories become more vivid--whether Molina's fondly remembered Nazi propaganda noir, Valentin's tortured romantic history, or a tropical island fable told merely to pass the time. By the end, each man has changed just enough to taste the other's tragedy--a transformation that gives each the strength to define freedom on his own terms, despite the brutality of the prison and the bleak world beyond its walls. This groundbreaking movie was the first independent film to receive the top four Oscar nominations; William Hurt delivers an Oscar-winning performance in this tribute to the power of film and fantasy as escape from inhumane conditions.
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