Fernando Rey

Quintet -- Robert Altman's somber science fiction tale that takes place after a nuclear holocaust has thrown the world into another Ice Age.

The Hit is the sequel to cult favorite "Straight Out Of Compton," in which Blair Underwood stars as Hen, an up-and-coming record executive whose goal is to bring all rival rap record labels together and form one Black-owned label that gives back to the community. While trying to build this label, he inadvertently crosses the Mob, who attempts to shut down his plans. From rival gangsters to dodging mob hits to tangled love triangles THE HIT is a film full of drama, action, and plot twists.

Quintet is Robert Altman's a somber science fiction tale that takes place after a nuclear holocaust has thrown the world into another Ice Age. A man named Essex (Paul Newman), his pregnant wife Vivia (Brigitte Fossey) and her brother Francha (Tom Hill) are wandering the desolate, frozen landscape when they run across a handful of fellow survivors who pass their time playing a mysterious game called Quintet. No one is able to explain just how it's played, but Grigor (Fernando Rey) appears to act as the referee, and the stakes of the game are unusually high -- after Vivia and Francha lose, they're killed in a mysterious explosion. Essex is not happy with the way they've been dragged into the village's game of death but, as he attempts to seek revenge, he is only drawn deeper into the lethal competition.

An Apache-hating landowner tries to rid the land of Indians, while at the same time claiming their land for himself. Government agents are sent in to maintain peace, but fail. When his brother arrives after many years of absence, an old feud is reignited concerning the brother's old girlfriend, now dead.

Nick Harper (Rick Schroder) is a quick-witted, hard-edged cop who knows that when his sister disappears in Europe, something is terribly wrong. He couldn't be so right. Jetting off to Spain, he meets the local police, but has a serious run-in with a gorgeous undercover detective and quickly discovers he's not only out of his territory he's in the wrong league. Nick is enmeshed in a terrorist plot that has placed his sister in great danger.

Terence Stamp is Willie, a gangster's henchman turned informer trying to live in peaceful hiding in a remote Spanish village. Sun-dappled bliss turns to nerve-racking suspense, however, when two hit men — played by a soulless John Hurt and a youthful, loose-cannon Tim Roth — come a-calling to bring Willie back for execution. This stylish early gem from Stephen Frears boasts terrific performances from a roster of England's best hard-boiled actors and ravishing photography of its desolate Spanish location – a splendid backdrop for a rather sordid story.

Jimmy "Popeye" Doyle (Gene Hackman) is back after narrowly escaping the clutches of Alain Charnier in the first film, and Doyle's out for revenge. Taking his quest to Charnier's home turf, Doyle is determined to bring down Charnier's heroin ring and he enlists the help of the gendarmes.

A tragic, horrifying, intense drama based on real life events, about 937 German Jewish refugees who left Nazi occupied Germany, to learn that nobody wanted them. This powerful film etches in rich detail, the story of the desperate lives of 937 Jewish Germans, offered a safe haven in Havana, Cuba. They depart Hamburg in high spirits looking forward to their new life. Some were concentration camp victims, some survivors of ‘the night of shattered crystal’, others just wanted to join relatives in Cuba. Some were wealthy enough to afford their voyage, but most left everything behind in the hope they could escape the Nazi terror. The passengers are unaware that the voyage is a sham, simply one of Josef Goebbels’ propaganda exercises. The ship will not be able to dock in Havana, and when the rest of the world turns the ship away, the Jews will have to return to Germany. On June 1, 1939, just as hope had all but vanished, the passengers receive word that Belgium, Holland, France and Britain agree to accept the passengers. Come what may, the passengers resolve not to return to Hamburg, or the camps.

A bad boy with a seriously awful English accent threatens a lawyer and his main squeeze in this stylish and ultra-rare 70s thriller set in a 'swinging' London, seemingly populated by corrupt policemen. Enzo G. Castellari directs this Italian psychological thriller.

Richard Dreyfuss plays actor Jack Noah, who gets the role of his life when Parador's fascist strongman consumes too much national drink and drops dead the day before the elections. The chief of police (Raul Julia) then "invites" Noah to assume the role of president - under the threat of death. Noah's confidence grows with each speech and with personal support from the dead leader's sultry mistress (Sonia Braga), a champion of Parador's downtrodden masses. But when guerilla fighters strike, Noah wonders if it might not be time to move to a new role.

Moon Over Parador. Richard Dreyfuss plays an actor who gets the role of a lifetime when he is invited to play the part of Parador's fascist president after the real leader dies at election time.

While toiling on a film in the tiny Caribbean country of Parador, Broadway actor Jack Noah (Richard Dreyfuss) is offered a role he can't turn down: impersonating the nation's deceased dictator, to whom he bears an uncanny resemblance. But Jack soon gets into trouble when he runs afoul of the Parador police chief (Raul Julia), who wants to keep the despot's demise a secret until he can maneuver his own takeover of the country.