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Feb 29, 2008 08:47 PM ET
- by Ken Fox
Contrary to popular cliches, a film noir doesn't have to be in set on the mean, rain-slicked backstreets of a cramped, malevolent city, nor does it even have to be in black-and-white ("noir" is really a world-view than a palette). And although purists may argue otherwise, a movie need not have been produced during the tumultuous years of WWII and its immediate aftermath to be considered a true "noir." Case in point: Richard Fleischer's Violent Saturday, a brightly colored, black-hearted look at crime and the American character from 1955 that's just now being re-released in a sparkling new 35mm print. This rarely seen pulp masterpiece was not only shot in blazing DeLuxe Color and ultra-wide CinemaScope, it's set in a seemingly idyllic desert mining town, and most of it unfolds in bright, broad daylight -- the better to see the corruption festering just below the happy surface. Noir? You bet.The Yale-educated Fleischer -- son of the maverick animator Max Fleischer -- kept busy right t...
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Question: Sir, could you please tell me who the main stars were on Wagon Train? Thank you.
Answer: Thanks for the respect, Teri (I get so little), but as the old boot-camp admonishment goes, don't call me "sir" — I work for a living!
There are a few answers to that question, the first being the cast list (which I'll run down in a moment) and the second being a list of guest stars, since episodes revolved around one-shot characters who came and went. But any fan of the show would whittle it down to one actor: the opinionated, tough-as-leather Ward Bond.
In the series, which ran on NBC from 1957-62 before jumping to ABC and finishing out its run there in 1965, Bond played Major Seth Adams, who led the train each season from St. Louis to California with assistant wagon master Bill Hawks (Terry Wilson) and cook Charlie Wooster (Frank McGrath) by h
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