Aaron Sorkin says he'd like to apologize to people who may have misinterpreted his intentions with his HBO series The Newsroom.
"I think you and I got off on the wrong foot with The Newsroom and I apologize and I'd like to start over," Sorkin told the audience at a Tribeca Film Festival event Monday, referencing the criticism over his choice to set the show in the recent past. "I think that there's been a terrible misunderstanding. ... I wasn't trying to and I'm not capable of teaching a professional journalist a lesson. That wasn't my intent and it's never my intent to teach you a lesson or try to persuade you or anything."
Imagine the ultimate CW drama, set on an Earth inhabited solely by telegenic young-adult brats celebrating their complete lack of adult supervision. It's a Tribe Without a Cause! Toss in post-apocalyptic echoes of The Hunger Games, forbidden desires out of The Blue Lagoon and the jungle mysteries of Lost — with a toxic cloud of acid fog instead of a mystical Smoke Monster — and you've got the YA formula for The 100, a high-concept guilty pleasure that comes as a bit of a creative relief after a dreary season of derivative spin-offs, reboots and retreads (reaching a nadir in Star-Crossed and The Tomorrow People).
Boardwalk Empire's upcoming fifth season will be its last, HBO announced Thursday at the Television Critics Association winter press tour.
"We're thrilled to...
Jeff Daniels, The Newsroom
[WARNING: The following story contains spoilers from Sunday's Season 2 finale of HBO's The Newsroom. Read at your own risk.]
Depending on who you ask, The Newsroom will be back for a third season on HBO. But you might not have guessed that from watching the show's Season 2 finale.
Jeff Daniels: The Newsroom has been renewed
The finale focused primarily on the "News Night" team reporting on the 2012 election in the shadow of the huge failure of the false Operation Genoa story, but before the episode ended, nearly every other ongoing plot thread from the season (and series) was tidily wrapped up in a seemingly happy ending...
Even though Hamish Linklater's character on The Newsroom is at the center of the season's slowly unfolding disaster known as "Genoa," the actor has a hard time accepting his character as a villain.
"He's just a true believer who thinks he's on the side of the angels, and that's why he does what he does," Linklater tells TVGuide.com of his character, Jerry Dantana. "But what was great was that they didn't push me into twirling my mustache or being sort of an obvious bad guy."
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Shortly after Jerry came to New York to sub in for Jim (John Gallagher Jr.), he received a tip about "Operation Genoa," a mission during which the United States allegedly used sarin gas on civilians while extracting two captured Marines...
Jeff Daniels, The Newsroom
When Aaron Sorkin's cable news drama The Newsroom returns for its second season Sunday, things will look a little different.
"We broke one of our own important rules," executive producer Alan Poul tells TVGuide.com. "In the first season, we said there are no fictional news stories. ... We did very well with the 'What's the breaking news story going to be this week?' template, but we had some concern that would get a little bit old. [But] if we had one story that could serve as the through-line on which we could still hang our current event stories, that would give this season an essentially different character."
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Enter "Operation Genoa," a story about a military scandal that could "make careers and end presidencies." There's just one problem...
Aaron Sorkin is well aware that critics had a lot to say about The Newsroom's first season. Whether he plans to do anything differently with regard to the many complaints is a different story.
"As far as criticism goes, there was a lot, so it would be hard to address this and not that," Sorkin, the show's creator and executive producer, told TVGuide.com at Sunday's PaleyFest panel. "There are plenty of TV critics I respect, and I read them and I think about what they're saying. But when it comes time to write, you really got to go in and do your thing and not have too many voices in your head."
Carla Gugino, Emily Mortimer
"The first rule of being a female journalist," political reporter Susan Berg (Carla Gugino) tells a younger female colleague in the third episode of USA's miniseries Political Animals, "[is] if you s--- where you eat, don't cry about it. ... You want to be taken seriously? Take yourself seriously."
This single line of dialogue makes it clear that there's a much-needed crossover episode hidden in the summer TV lineup. Could Susan please take a temporary consulting gig in New York and talk some professional sense into the women of The Newsroom?
Aaron Sorkin quashed rumors of behind-the-scenes turmoil on The Newsroom during a heated panel at the Television Critics Association's fall preview sessions Wednesday.
"I want to be as clear as I possibly can about this. The writing staff was not fired," Sorkin said. "Just seeing that in print is scaring the hell out of the writing staff. They're acting very strange. They're coming to work early. They're acting polite to me. I want the old...
There aren't enough words. Except in the world of Aaron Sorkin, where there are always enough, maybe too many, as the Emmy- and Oscar-winning maestro of the hyper-verbal aria (The West Wing, Sports Night, The Social Network) aims his sights back on TV with the exhilarating, exasperating and often sensationally entertaining The Newsroom. (It premieres Sunday at 10/9c following summer hit True Blood.)