Imagine the ultimate CW drama, set on an Earth inhabited solely by telegenic young-adult brats celebrating their complete lack of adult supervision. It's a Tribe Without a Cause! Toss in post-apocalyptic echoes of The Hunger Games, forbidden desires out of The Blue Lagoon and the jungle mysteries of Lost — with a toxic cloud of acid fog instead of a mystical Smoke Monster — and you've got the YA formula for The 100, a high-concept guilty pleasure that comes as a bit of a creative relief after a dreary season of derivative spin-offs, reboots and retreads (reaching a nadir in Star-Crossed and The Tomorrow People).
Boardwalk Empire's upcoming fifth season will be its last, HBO announced Thursday at the Television Critics Association winter press tour.
"We're thrilled to...
[WARNING: The following story contains spoilers from Sunday's Season 2 finale of HBO's The Newsroom. Read at your own risk.]
Depending on who you ask, The Newsroom will be back for a third season on HBO. But you might not have guessed that from watching the show's Season 2 finale.
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The finale focused primarily on the "News Night" team reporting on the 2012 election in the shadow of the huge failure of the false Operation Genoa story, but before the episode ended, nearly every other ongoing plot thread from the season (and series) was tidily wrapped up in a seemingly happy ending...
Even though Hamish Linklater's character on The Newsroom is at the center of the season's slowly unfolding disaster known as "Genoa," the actor has a hard time accepting his character as a villain.
"He's just a true believer who thinks he's on the side of the angels, and that's why he does what he does," Linklater tells TVGuide.com of his character, Jerry Dantana. "But what was great was that they didn't push me into twirling my mustache or being sort of an obvious bad guy."
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Shortly after Jerry came to New York to sub in for Jim (John Gallagher Jr.), he received a tip about "Operation Genoa," a mission during which the United States allegedly used sarin gas on civilians while extracting two captured Marines...
When Aaron Sorkin's cable news drama The Newsroom returns for its second season Sunday, things will look a little different.
"We broke one of our own important rules," executive producer Alan Poul tells TVGuide.com. "In the first season, we said there are no fictional news stories. ... We did very well with the 'What's the breaking news story going to be this week?' template, but we had some concern that would get a little bit old. [But] if we had one story that could serve as the through-line on which we could still hang our current event stories, that would give this season an essentially different character."
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Enter "Operation Genoa," a story about a military scandal that could "make careers and end presidencies." There's just one problem...