Edward Gargan

Das rote Licht -- Das Rote Licht, filmed on Kurt Kren's 16mm camera, captures the windows of Vienna's red light district. Furtive glances towards S and M mannequins and neon signs for clubs such as C'est La Vie and the Velvet Palace hark to the lonely in the night. Das Rote Licht has the look of a peep show film projected over and over again. The windows are filled with mannequins cast in leather juxtaposed to images of the bygone days of Vienna's Hapsburg Imperial Era .

Adventures of Gallant Bess -- A heartwarming tale of a rodeo rider's love for his award-winning horse.

"Lady Be Good" tells the story of Dixie Donegan and Eddie Crane, once-married songwriting partners who, although now divorced, are still in love with each other. As they work together on a new collaboration, their friend tries to convince them to remarry in this musical comedy. Starring Academy Award, Emmy-nominee and Golden Globe-winner Ann Sothern (the "Maisie" film series) as Dixie, Emmy and Golden Globe-winner Robert Young (TV's "Marcus Welby, M.D.") as Eddie, and Eleanor Powell ("Born to Dance") as the friend who tries to get the couple back together. Also starring Hollywood legends including Academy Award-winner Lionel Barrymore ("It's a Wonderful Life"), Emmy Award-winner Red Skelton ("Around the World in Eighty Days"), and Emmy-winning comedian Phil Silvers ("It's a Mad Mad Mad Mad World"). Contains timeless musical classics such as "Fascinating Rhythm" and "Lady Be Good," and the Academy Award-winning song "The Last Time I Saw Paris."

Ex-Golden Gloves fighter Danny Kenny has it all worked out. He'll turn pro to bankroll his brother's dream of writing a symphonic paean to the teeming city where they both live: New York. But life pulls the sidewalk out from under Danny when he's blinded during a brutal 15-round welterweight title bout. James Cagney plays Danny in this heart-tugging melodrama co-starring Ann Sheridan, Anthony Quinn, film-debuting Arthur Kennedy and in a rare acting turn before becoming a director, Elia Kazan. Among familiar studio players, there's an unbilled one: a vivid backlot and rear-screen Manhattan. "Sometimes we wonder," The New York Times' Bosley Crowther wrote, "whether it wasn't really the Warner brothers who got New York from the Indians, so diligent and devoted have they been in feeling the great city's pulse."