Edgar Small

The Tell-Tale Heart -- A re-imagining of Edgar Allan Poe's classic tale of terror set in the1940s. Jonathan Parker is trying to conceal a terrible secret during a game of poker with a group of prominent members of a small Midwestern town.

The Tell-Tale Heart -- A re-imagining of Edgar Allan Poe's classic tale of terror set in the1940s. Jonathan Parker is trying to conceal a terrible secret during a game of poker with a group of prominent members of a small Midwestern town.

The Tell-Tale Heart -- A re-imagining of Edgar Allan Poe's classic tale of terror set in the1940s. Jonathan Parker is trying to conceal a terrible secret during a game of poker with a group of prominent members of a small Midwestern town.

Music video for, 'Good Year,' by An Pierl and White Velvet. http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=77221762 Directed by Torrey Meeks. http://www.myspace.com/torreymeeks This video is a remix which has taken disparate bits of pop culture and melted them in the crucible of modern times to create something new. The remix video is a critical, transformative work that in this case serves the purpose of social commentary, which constitutes a Fair Use in accordance with Title 17 U.S.C. Section 107. http://www4.law.cornell.edu/uscode/17/107.html ANIMATIONS USED IN THIS MUSIC VIDEO: 1) EDGAR by Aviad Goldgevicht -- My thanks and appreciation to Aviad for permission to use the bulk of the animation that opened, closed, and stitched this music video together. It's a stellar work available for viewing in full here, http://www.aniboom.com/boomzones/aviadgo 2) The Faktory by Yann Jouette. The full animation of The Faktory in its original context can be viewed here, http://yann.jouette.free.fr/LaFabrik_01.htm 3) Oh Yes, an animated Charles Bukowski poem by Chris Carmichael. The full animation can be viewed here, http://www.youtube.com/watch?v=DVKqOaTDBC8 4) Mickey's Christmas Carol - The portions used from Mickey's Christmas Carol fall under Fair Use clauses, due to A) The small amount of material used relative to the animation's full length, B) The method by which I transformed the original work by putting it in new context and altering the ending.

During his lifetime, J. Edgar Hoover would rise to be the most powerful man in America. As head of the Federal Bureau of Investigation for nearly 50 years, he would stop at nothing to protect his country. Through eight presidents and three wars, Hoover waged battle against threats both real and perceived, often bending the rules to keep his countrymen safe. His methods were at once ruthless and heroic, with the admiration of the world his most coveted, if ever elusive, prize. Hoover was a man who placed great value on secrets--particularly those of others--and was not afraid to use that information to exert authority over the leading figures in the nation. Understanding that knowledge is power and fear poses opportunity, he used both to gain unprecedented influence and to build a reputation that was both formidable and untouchable. He was as guarded in his private life as he was in his public one, allowing only a small and protective inner circle into his confidence. His closest colleague, Clyde Tolson, was also his constant companion. His secretary, Helen Gandy, who was perhaps most privy to Hoover's designs, remained loyal to the end...and beyond. Only Hoover's mother, who served as his inspiration and his conscience, would leave him, her passing truly crushing to the son who forever sought her love and approval. As seen through the eyes of Hoover himself, 'J. Edgar' explores the personal and public life and relationships of a man who could distort the truth as easily as he upheld it during a life devoted to his own idea of justice, often swayed by the darker side of power.

Adapted from the Tony Award-winning play about a sensitive homosexual's search for love and his relationship with his mother. Good mixture of funny and tender moments!

An evil industrialist frames a police sergeant for murder as he systematically eliminates the competition. Broadly played action flick!

Repetitive sequel, in which fast-talking ex-con Murphy and gruff police detective Nolte reluctantly team up again when their lives are threatened by a drug kingpin.

Stella Raphael, a cultured and elegant but restless young woman, lives with her husband, Max, a forensic psychiatrist, and their small son, Charlie, at a high-security mental hospital in rural England. Isolated from the urban excitement she craves, Stella is unhappy with her husband and her life, and when she comes into contact with the brilliant and attractive sculptor Edgar Stark, a patient who is engaged in rebuilding the asylum's decrepit Victorian conservatory, she begins to fall in love. Her discovery that Edgar was confined to the hospital after he brutally murdered and disfigured his wife in a psychotic, jealous rage fails to deter Stella from her growing passion, and eventually her love for Edgar is pitted against her husband, her child, the institution, and the entire fabric of her society. Finally Stella makes her choice, precipitating an appalling tragedy and changing the course of several lives.

One Down -- One Down is a micro-budgeted film from Baltimore that exudes many themes and styles from the early film noir pictures of the 1940's. In the aftermath of an ambitious robbery gone wrong, three small-time criminals grapple to maintain composure and sanity. Sensuous thief, Genevieve is forced to control the overwhelming panic of the na ve ex-con, Paul and the unpredictable violence of the vicious thug Edgar as they wait until morning to flee the city and the consequences of their botched crime.

Kindred -- One day while coming home after picking up his adopted sister Amanda (Chelsi Archambeau), Tommy (Kelly D Weaver) world is shattered. They're other sister Katie (Bayley Ellenburg) is standing outside crying with local police. They're parents have been murdered. Months later Tommy now lives with his adopted sisters, his best friend Derek (Garrett Colon) and his sister Mary Anne (Katie Wordon). He also now has a psychiatrist Dr. Brill (Krystal Moore) to help him explain the strange dreams he is now having. Well Tommy find the answers to this strange dreams? Or will he unlocked something more sinister?

Neshoba tells the story of a Mississippi town still divided about the meaning of justice, 40 years after the murders of civil rights workers James Chaney, Andrew Goodman and Michael Schwerner. In the summer of 1964, these three young men, two whites from New York and a black from Mississippi went to Philadelphia, a small town in the heart of Neshoba County, to register black voters and investigate a church burning. When their bodies were found 44 days later buried beneath an earthen dam, many people rationalized the men came looking for trouble and got what they deserved. For more than forty years, Mississippi refused to prosecute any of the Klansmen directly responsible for the murders, even though they bragged openly about what they did. While the killers continued to live and prosper, most townspeople remained silent, as if the murders never happened. In 2004, a multi-racial coalition of Neshoba County citizens got together for the first time in 40 years to erase the stain from their town by publicly pressuring the State to bring murder charges against the Mississippi Burning murderers. Meeting with opposition and even hostility from some of their neighbors, members of the Philadelphia Coalition were resolute in their call for justice, healing and racial reconciliation. Finally, on January 6, 2005, the State of Mississippi indicted the mastermind of the killings, Edgar Ray Killen, an 80-year-old Baptist preacher and notorious racist. The filmmakers gained unprecedented access to Killen, following him for five months, from shortly after his indictment through his trial. For the first time ever, the film captures the outspoken views of a Klan member charged with a civil rights murder and takes viewers on a journey into the mindset of a man who, to this day, feels the murders of two Jews and an African-American were justified as self-defense of a way of life. Through exclusive, first-time interviews with Killen, intimate interviews with the families of