In the Flesh
Zombies are hot. But leave it to the British to make them cool. And smart. And a shade more human than many of those they left behind. Turns out that being dead, or undead, is the ultimate wake-up call. While watching BBC America's fascinating and unexpectedly moving three-part miniseries In the Flesh (Thursday through Saturday, 10/9c), I was reminded less of AMC's blockbuster thriller The Walking Dead than of Sundance Channel's recent triumph, the artful Rectify, another searing drama of an outsider adjusting ...
Something you don't expect any NBC show that isn't The Voice to be asking: "Are you better off than a year ago?" Leave it to cockeyed optimist Leslie Knope (the sublime Amy Poehler), the hopeful heart and resilient soul of Parks and Recreation, to set herself up for a smackdown in the too-soon season finale (Thursday, 9:31/8:31c), by posing this question at a public forum that she naively sees as a "victory lap" to celebrate her one-year anniversary in office. While Leslie contends with a Pawnee version of Tea Party-style opposition — in this town, more like "sweet tea," with extra sugar in a 512 oz. cup — Andy (Chris Pratt) adopts his bumbling "Burt Macklin, FBI" persona (always a win) to solve a mystery that could change one of his co-worker's life forever. NBC is certainly better off for sticking with this show as it has improved over the seasons to become the network's most reliably enjoyable comedy — even though this already eventful and possibly pivotal episode would have been better off without the subplot involving Tom's "Rent-a-Swag" business and his contentious relationship with Jean-Ralphio's horror-show sister Mona Lisa (Jenny Slate).
The action is about to pick up on NBC's Hannibal.
On Thursday's Silence of the Lambs-esque episode, "Entrée," (10/9c), Eddie Izzard guest-stars as an imprisoned killer who, after murdering a nurse inside the asylum, now claims to be the Chesapeake Ripper. Refusing to believe that the big fish he's been chasing for years is already behind bars, Jack (Laurence Fishburne) sends Will (Hugh Dancy) and Dr. Bloom (Caroline Dhavernas) to question Izzard's character...
Hannibal Lecter is coming to NBC, and TVGuide.com has the exclusive first look.
Hannibal, a contemporary take on Thomas Harris' Red Dragon novel, stars Hugh Dancy as FBI agent Will Graham and Mads Mikkelsen as the cannibalistic yet refined Dr. Lecter. In the sneak peek below, the cast and executive producer Bryan Fuller dish on the new series, which will show the origins of the infamous killer and his relationship with...
Will Nicki Minaj's "wife" Kree make the cut? How about Devin, the (quoting Nicki again) "Spanish Ken doll?" And could this be the end of the road for such curiosities as Zoanette "What's Tone Got To Do With It" Johnson and the appropriately named Charlie Askew? All will be revealed as Fox's American Idol moves back to Hollywood for a 90-minute live results show (8/7c), where America decides this year's Top 10 — but I wouldn't be surprised if the judges get a "wild card" pick should one or more of their faves fail to capture the voters' attention.
NBC has released the first official poster for its upcoming Silence of the Lambs/Red Dragon reboot, Hannibal — and it's simply delectable.
Can Hannibal Lecter be NBC's savior on Thursday nights?
Hannibal, a contemporary take on Thomas Harris' Red Dragon novel, will take over Do No Harm's vacant slot beginning...
Sorry, Munsters fans. NBC has officially decided to pass on the planned reboot Mockingbird Lane, according to creator Bryan Fuller.
Scully is back!
Ten years after the end of The X-Files, star Gillian Anderson is returning to U.S. broadcast TV on the upcoming NBC thriller Hannibal, Entertainment Weekly reports.
Anderson, 44, will play...
Jerry O'Connell, Mason Cook and Portia de Rossi
While Tim Burton was busy remaking Dark Shadows on the big screen this year — and what a disappointment that turned out to be — another '60s cult item, the horror parody The Munsters, was getting a lavish reboot from Burton's TV counterpart Bryan Fuller, whose Pushing Daisies remains a fantastical benchmark of blending the whimsical and the macabre into a dazzling visual smorgasbord.
The result, reported to have cost NBC in the neighborhood of $10 million, is one of the weirdest hybrids of the comical and eerie in quite some time...