Dorothy Lee

Roar of the Press -- While on their honeymoon, a reporter and his new bride stumble upon a ring of fifth columnists.

Roar of the Press -- While on their honeymoon, a reporter and his new bride stumble upon a ring of fifth columnists.

After serving as comedy relief in three big-budget RKO Radio musicals, the comedy team of Bert Wheeler and Robert Woolsey were rewarded with their own starring vehicle, the dated but still delightful Half Shot at Sunrise. Set in Paris during WWI, the film casts Bert and Bob as Gilbert and Tommy, two AWOL doughboys. When not posing as officers to impress the local mademoiselles, our heroes spend their time ducking a pair of diligent MPs, and while doing so make the acquaintance of the hoydenish Annette (Dorothy Lee), the daughter of dyspeptic Colonel Marshall (George MacFarlane) and Marshall's snooty wife (Edna May Oliver). Tommy falls in love with Annette, while Gilbert is equally enamored of Olga (Leni Stengel), the Colonel's sultry lady friend. Hoping to save the boys from court-martial by turning them into war heroes, Annette and Olga contrive to send Gilbert and Tommy to the Front with "borrowed" secret orders. After nearly being killed by enemy shellfire, the two errant soldiers are arrested and brought to Marshall's headquarters, averting a firing squad only by revealing that their "secret orders" were actually love letters written to the Colonel by the flirtatious Olga. There are many funny routines in Half Shot at Sunrise (the scene in which Wheeler and Woolsey pose as French waiters is a riot), and the songs, particularly the Wheeler-Lee duet "Whistling the Blues Away," are quite entertaining. But the film's highlight is an uncharacteristic "straight" scene toward the end, when a panic-stricken Woolsey risks death to rescue an injured Wheeler from No Man's Land (and never mind that the scene ends with a satirically comic punch line). Half Shot a Sunrise proved beyond all doubt that Wheeler and Woolsey could carry a picture by themselves; they would remain top box-office attractions until Bob Woolsey's death in 1938.

Hoping to repeat the success of its 1929 musical spectacular Rio Rita, RKO Radio reteamed leading lady Bebe Daniels and the comedy team of Bert Wheeler & Robert Woolsey for the equally lavish Dixiana. Set in antebellum Louisiana, the film casts Daniels as the title character, a lovely and charming circus entertainer. Dixiana is loved by Carl Van Horn (Everett Marshall), the son of plantation owner Cornelius Van Horn (Joseph Cawthorn). Though Cornelius approves of his son's choice, his imperious wife (Jobyna Howland) orders Dixiana out of her house, much to the delight of crooked gambler Royal Montague (Ralf Harolde), who has his own wicked designs on our heroine. Fired by her circus, Dixiana is forced to go to work at Montague's gambling establishment, and it is here that the love-struck Carl catches up with her. Hoping to bankrupt Carl and force him to relinquish the deed to the Van Doren plantation, Montague engages the young man in a crooked card game, but Dixiana turns the tables on the villain. Elected queen of the Mardi Gras, Dixiana is kidnapped by the disgruntled Montague, who intends to goad Carl into a duel, knowing full well that the boy's guns have been tampered with. Dixiana is the film debut of Bill "Bojangles" Robinson, who performs a "stair dance" routine during the Technicolor Mardi Gras finale. Incidentally, the film's final color reels were for many years considered lost, with only the black-and-white scenes remaining: thus, many TV prints of Dixiana come to an end long before the plot has been resolved. ~ Hal Erickson, Rovi