Don Harvey

A reclusive detective (Willem Dafoe) is drawn into the case of a serial killer who is enacting anamorphosis - a painting technique that manipulates the laws of perspective - only with human bodies. He is thrust into a dark and unsettling underworld that threatens to reveal the secrets of his tormented past, in this indie thriller from IFC.

A detective (Willem Dafoe) must solve the case of a serial killer who enacts anamorphosis, a painting technique that manipulates the laws of perspective, only with human bodies.

A detective (Willem Dafoe) must solve the case of a serial killer who enacts anamorphosis, a painting technique that manipulates the laws of perspective, only with human bodies.

What are the necessary lies that soothe tenuous family ties? What are the painful truths that can break them? One daughter is given the chance to rediscover them for herself—if she has the courage and the heart to forgive… Career is top priority to beautiful and self-sufficient Dr. Sydney Ludwick (Lisa Hartman, Knots Landing). Ever since medical school, her flourishing profession has taken precedence over personal attachments. Altruistic, overworked, and dedicated to a fault, Syd is inspired by the final words of a dear patient. The advice she takes to heart is to relax, appreciate life, and take time off for herself. Opportunity arises when Syd receives an invitation to her twentieth high school reunion. But that means returning to the petty squabbles of her rural hometown rivals, reacquainting herself with Gus Martin (Dale Midkiff, Love Comes Softly), the fondly remembered childhood sweetheart she left behind, and reuniting with her estranged mother Helen (Emmy winner Rue McClanahan, The Golden Girls), a widow shadowed by her husband’s death and a troubling family secret. When the prodigal success arrives in Bloomfield, she’s surprised to find her family home turned into a bed-and-breakfast run by her mother. Syd’s also taken aback by her still deep feelings for Gus, now a widower with a six-year-old son. But as she adjusts to the past, Syd struggles to reconnect with her emotionally distant mother. Only one other person in Bloomfield shares Helen’s secret: Ed Jenkins (Don Harvey, She Hate Me), head pastor of the local church. Sworn to confessional privacy, he urges Syd to make amends and discover for herself why the Ludwick family ties have been wounded. As a weekend of personal and professional revelations unfold, and as unexpected romance blossoms, Syd discovers more about herself, her past, and the possibilities of the heart than she ever imagined. A tender, emotionally rich story of personal growth, family and forgiveness, betrayal and renewal, Back To You and Me will resonate with anyone who ever wanted a second chance to find love and acceptance.

It's been years since Sydney Ludwick visited her rural hometown of Bloomfield--and just as long since she's spoken to her estranged mother, a widow still haunted by a troubling family secret. Now, a high school reunion has brought Syd back to the mysteries of her past, old loves, and promising new beginnings.

It's been years since Sydney Ludwick visited her rural hometown of Bloomfield--and just as long since she's spoken to her estranged mother, a widow still haunted by a troubling family secret. Now, a high school reunion has brought Syd back to the mysteries of her past, old loves, and promising new beginnings.

Ends 05/31/13. A fired business exec finds an intriguing new line of work in this Spike Lee film. Jack Armstrong alerted the SEC to his employer's fraud only to find himself out of work. That is, until a lesbian ex-girlfriend offers him a job--helping her have a baby. Soon Jack discovers other women like her in need of his services, and begins to earn his way in the baby-booming business.

When biotech exec Jack (Anthony Mackie, 8 Mile) blows the whistle on his greedy drug-conglomerate bosses (Woody Harrelson, Natural Born Killers, and Ellen Barkin, Sea of Love) over an insider-tradingscandal, he gets more than he bargained for. Once this playa is played, he finds himself hitting rock bottom when an old flame, Fatima (Kerry Washington, Save the Last Dance), blows back into his life with the ultimate job offer: father her child, no strings attached. Teaming up to turn the tables on corporate culture, he sets up shop as a stud-for-hire at 10 G's a pop for a bevy of wealthy lesbians. When Jack delivers the goods, even his ex's glamazon gal pals can't resist his considerable...charms. Torn between love and money, Jack chases his American Dream all the way to the bank. Butthings heat up when Jack impregnates the Mafia daughter (Monica Bellucci, The Matrix Reloaded) of anotorious boss (John Turturro, Secret Window), triggering the FBI to expose Jack's cash-cow scheme.

When biotech exec Jack (Anthony Mackie, 8 Mile) blows the whistle on his greedy drug-conglomerate bosses (Woody Harrelson, Natural Born Killers, and Ellen Barkin, Sea of Love) over an insider-tradingscandal, he gets more than he bargained for. Once this playa is played, he finds himself hitting rock bottom when an old flame, Fatima (Kerry Washington, Save the Last Dance), blows back into his life with the ultimate job offer: father her child, no strings attached.

A fired business exec finds an intriguing new line of work in this Spike Lee film. Jack Armstrong alerted the SEC to his employer's fraud only to find himself out of work. That is, until a lesbian ex-girlfriend offers him a job--helping her have a baby. Soon Jack discovers other women like her in need of his services, and begins to earn his way in the baby-booming business.

A betrayed government agent runs for the border but risks her safety by aiding a couple being harassed by drug smugglers as the agent's pursuers search for her.

A betrayed government agent runs for the border but risks her saftey by aiding a couple being harassed by drug smugglers as the agent's pursuers search for her.