DJ Clue

Miguel Arteta explores how he identifies the heart of each scene and how this helps him organize how he directs his actors and crew.

Tom McCarthy describes how he polishes his script through rewrites and rehearsals so he can concentrate on getting the most out of each scene while directing.

Gavin Wiesen describes how writing the script of "The Art of Getting By" helped him visualize every detail from casting to production design and directing the actors.

Director Danny Boyle discusses how he and the cast and crew of "127 Hours" created an action film shot in extremely confined spaces.

Michael Apted reveals the production challenges of creating the beautiful, exotic and magical world of Narnia.

Director Matthew Vaughn and producer Bryan Singer engage in a conversation about the legacy of X-Men in the movies and the creation of X-MEN: FIRST CLASS.

Director Tony Goldwyn reveals his process of creating an environment without time constraints where gifted actors feel free to do their best work.

Director Tony Scott discusses how putting his actors on an actual speeding train kept UNSTOPPABLE as realistic as possible.

Mike Cahill describes how he himself directed, co-wrote the screenplay, co-produced, shot the scenes and edited ANOTHER EARTH.

Director Mark Romanek reveals his collaborative approach to rehearsals and how he orchestrates the cast and crew to capture magic in the camera.

Director Nimród Antal discusses his approach to working with producer Robert Rodriguez on directing performances, crafting unique visuals and realistic sound design.

Jay and Mark Duplass describe their unique directing technique using improvisation to bring a higher level of naturalism and reality to the performances.